【作者】 林丽；

【导师】 邹理；

【作者基本信息】 中南大学 ， 文化传播与文化产业学， 2024， 硕士

【摘要】 随着空间理论在人文社科领域的影响力逐渐增大,从空间视角考察城市公共空间生产的研究越来越多。城市老街对内是城市文脉的发源地、对外是展示城市形象的原真窗口,其自身空间中交织着复杂的意义与关系网,具有独特的研究价值。本文从列斐伏尔的“空间三元辩证法”理论出发,解读长沙太平街的空间属性,进一步思考其中人与人、人与空间、空间与传播的关系以及城市老街的传播价值。本文采用半结构化访谈与参与式观察的方法对太平街的空间生产这一个案进行分析阐释。主体分为五个部分。第一部分概述太平街的空间区位、内部格局与文化资源,明确太平街的空间布局与文化属性。第二部分从“空间实践”角度出发,考察太平街物质空间中的元素组成与空间景观,将其中的视觉元素提炼为场景元素、符号元素,并将空间景观归纳为三类,发现商业景观内部存在竞争关系、商业景观与人文景观对话共存、政治景观持续在场。第三部分从“空间表征”角度出发,考察空间主体构想的太平街虚拟空间,发现其建构主体包括媒体、游客、居民三类;移动媒体建构的空间意象吸引游客前来朝觐,促使空间功能发生转变;建构主体进行空间体验后的经验书写又引起太平街空间意象的还原、强化与更新。第四部分从“表征的空间”角度出发,考察可沟通的太平街社会空间,发现空间中不同身份的个体、群体之间开展着丰富、多层次的社会交往活动。这种交往对他们的空间感知、个体及群体的身份认同起到积极作用,也对太平街的虚实空间起到情感连接及边界延展作用。空间主体在连接、沟通中共享自身的情感体验与价值归属,把太平街空间塑造成有“地方之爱”的价值中心。第五部分考察太平街的空间功能与文化传播价值,发现其承担了娱乐消费、生活休闲、文化经营等多种功能,并作为空间媒介向外传递了长沙的历史文化、地方文化与消费文化气质。但在具备正向价值的同时,太平街空间中存在的景观暴力与空间功能异化现象也不容忽视。正文共49905字,参考文献102篇更多还原

【Abstract】 As spatial theory gains traction in the humanities and social sciences,more studies explore urban public space production from this perspective.Urban old streets,the birthplaces of urban culture,serve as authentic showcases of city identity.Their spatial complexity offers unique research opportunities.This thesis interprets the spatial attributes of Taiping Street in Changsha and further contemplates the relationships among individuals,individuals and space,space and communication,as well as the communicative value of urban old streets,starting from Lefebvre’s theory of“Spatial trialectics”.This study utilizes semi-structured interviews and participatory observation to investigate the spatial production of Taiping Street.The body is segmented into five parts.The first part outlines the spatial location,internal layout,and cultural resources of Taiping Street,clarifying its spatial layout and cultural attributes.The second part,from the perspective of“spatial practices”,examines the elements and spatial landscapes within Taiping Street’s physical realm,extracting visual elements into scene and symbolic elements,categorizing spatial landscapes into three types.It discovers the existence of competitive relationships within commercial landscapes,the coexistence between commercial and humanistic landscapes,and the persistent presence of political landscapes.The third part,from the perspective of“spatial representations”,examines the virtual space of Taiping Street imagined by spatial subjects,identifying three types of constructing subjects:media,tourists,and residents.The spatial imagery constructed by mobile media attracts tourists to visit,prompting a transformation in spatial function.The experiential narratives penned by these participants contribute to the restoration,reinforcement,and renewal of Taiping Street’s spatial imagery.The fourth part,from the perspective of“representational space”,examines the communicative social space of Taiping Street,revealing that individuals and groups of different identities engage in rich and multi-level social interaction activities.This interaction positively affects their spatial perception,individual and group identity,and also extends the emotional connection and boundary of Taiping Street’s virtual and material spaces.Spatial subjects share their emotional experiences and value attribution in connection and communication,shaping Taiping Street into a value center of“love of place”.The fifth part examines the spatial functions and cultural communication of Taiping Street,uncovering its diverse roles in entertainment consumption,leisure lifestyle,and cultural management.Serving as a spatial medium,it also conveys the historical culture,local culture,and consumption culture temperament of Changsha externally.Despite its positive attributes,the presence of landscape violence and spatial functional alienation in Taiping Street cannot be overlooked.更多还原