【作者】 张敏；

【导师】 石岩；

【作者基本信息】 郑州大学 ， 美术学， 2024， 硕士

【摘要】 珙县苗族蜡染是苗族人民珍贵的文化遗产,是苗族文化的重要组成部分,同时作为国家级非物质文化遗产,珙县苗族蜡染不仅同时具备实用和审美双重价值,还承载着珙县苗民的深厚情感,折射出珙县苗族的民族精神和民族性格,展现出地方特有地生活习俗和文化信仰,从文化角度来看,珙县苗族蜡染是一种动态流变的文化遗产,其传承是对文化观念的延续,即使经历了千年的沧桑,但仍坚守着传统的核心,然而,由于缺乏对文化自觉的认识,导致传承者稀少,年轻一代对本民族服饰的兴趣减弱以及对蜡染艺术的忽视,使得蜡染艺术传承面临着断代和濒危的挑战。因此,本文选取了在图像叙事的视角下对珙县苗族蜡染的进行叙事设计,通过分析珙县苗族蜡染的艺术语言,文化意蕴以及图像叙事相关理论的基础上,探讨图像叙事在珙县苗族蜡染视觉设计中的可行性,并总结出适于对珙县苗族蜡染进行视觉设计的图像叙事策略,在此策略基础上进行叙事设计实践。文章共分为五个章节,第一章为绪论部分,介绍论文的研究背景、意义、研究目的、创新点、研究方法对珙县苗族蜡染与图像叙事的研究现状作出进行分析提出待解决问题与研究框架。第二章论述了珙县苗族蜡染的历史概况、地域特征以及传承现状,同时介绍了图像叙事相关理论,包括其兴起、本质和类别。第三章分析了珙县苗族蜡染技艺的材料用具和工艺流程,以及其艺术特征和文化意蕴,涵盖了纹样题材、构图形式、色彩分析等内容。第四章,在视觉设计策略部分,提出了珙县苗族蜡染图像叙事内容的确立、叙事形式的考量、叙事的视觉表现以及视觉设计实践的策略,为珙县苗族蜡染的图像叙事提供了具体的设计指导和实践路径。最后,对珙县苗族蜡染的图像叙事性设置和设计作品的衍生及运用进行了讨论,本研究的成果将有助于进一步挖掘珙县苗族蜡染的文化内涵,推动其艺术价值的传承与发展,同时丰富了图像叙事理论在传统文化领域的应用范畴。更多还原

【Abstract】 "Gongxian Miao batik is a precious cultural heritage of the Miao people and an important part of Miao culture.As a national-level intangible cultural heritage,Gongxian Miao batik not only possesses practical and aesthetic values but also carries the deep emotions of the Miao people,reflecting the ethnic spirit and character of Gongxian Miao and showcasing the local customs and cultural beliefs.From a cultural perspective,Gongxian Miao batik is a dynamic and evolving cultural heritage,and its inheritance represents the continuation of cultural concepts.Despite experiencing thousands of years of vicissitudes,it still adheres to the core of tradition.However,due to a lack of cultural awareness,there is a scarcity of inheritors,a waning interest among the younger generation in traditional ethnic attire,and neglect of the art of batik,posing challenges to the inheritance of batik art.Therefore,this study selects Gongxian Miao batik for narrative design from the perspective of image narrative.Through analyzing the artistic language,cultural connotations of Gongxian Miao batik,and relevant theories of image narrative,the feasibility of image narrative in visual design of Gongxian Miao batik is explored,and suitable image narrative strategies for visual design of Gongxian Miao batik are summarized.Based on these strategies,narrative design practices are conducted.The article is divided into five chapters.The first chapter is the introduction,which introduces the research background,significance,research purposes,innovations,research methods,and analyzes the research status of Gongxian Miao batik and image narrative,raises unresolved issues,and outlines the research framework.The second chapter discusses the historical overview,regional characteristics,and inheritance status of Gongxian Miao batik,and introduces relevant theories of image narrative,including its emergence,essence,and categories.The third chapter analyzes the materials and tools,craft processes,artistic features,and cultural connotations of Gongxian Miao batik,covering topics such as pattern themes,composition forms,and color analysis.In the fourth chapter,in the section on visual design strategies,the establishment of narrative content,consideration of narrative forms,visual representation of narratives,and strategies for visual design practices of Gongxian Miao batik are proposed,providing specific design guidance and practical paths for the image narrative of Gongxian Miao batik.Finally,discussions are conducted on the narrative setting and design works of Gongxian Miao batik,and the results of this study will help further explore the cultural connotations of Gongxian Miao batik,promote the inheritance and development of its artistic value,and enrich the application scope of image narrative theory in the field of traditional culture."更多还原