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徐蔚南工艺美术思想研究

Research on Xu Weinan’s Craft Art Thought

【作者】 陈曦

【导师】 支宇;

【作者基本信息】 四川大学 , 美术学, 2024, 硕士

【摘要】 本文深入探讨了徐蔚南(1900-1952)的工艺美术思想理论,分析了他在中国现代工艺美术领域的重要贡献和影响。研究从徐蔚南的工艺美术思想的理论源起与演进、徐蔚南的著作《中国美术工艺学》的工艺美术分类与内涵,以及徐蔚南实证主义方法论及其变异三个方面进行。文章首先关注徐蔚南的生平和艺术经历,举例他的主要著作《顾绣考》和《上海棉布》,揭示了这些作品在传统与现代交汇、理论创新和美学思想方面的深远影响。徐蔚南的留洋经历,特别是他在日本和上海的学术与艺术活动,为他的工艺美术理论的形成与发展提供了丰富的跨文化背景。其次从徐蔚南的著作《中国美术工艺学》出发,细分探讨了工艺美术的不同类别,如玉器、景泰蓝、玩具等,以及它们在审美性与实用性上的结合。此外,还探讨了工艺美术在历史脉络、技术革新和艺术风格演进方面的发展。最后聚焦于徐蔚南的工艺美术方法论,如他对丹纳的实证主义方法论的吸收与运用,以及马克思主义劳动观对他工艺美术思想的影响。通过比较分析徐蔚南的《艺术哲学ABC》和丹纳的《艺术哲学》,本文揭示了徐蔚南如何将西方艺术理论与中国传统工艺相融合。通过与同时期其他工艺美术家和理论家的工作进行比较,旨在评估徐蔚南的实证主义方法论在中国工艺美术研究中的贡献和局限性。综合来看,徐蔚南的工艺美术思想不仅在中国现代工艺美术领域具有重要地位,也为艺术史提供了独特的视角。本文的研究对理解徐蔚南在中国工艺美术发展中的影响提供了新的视角和深刻见解。

【Abstract】 This article delves into the craft art theory of Xu Weinan(1900-1952),analyzing his significant contributions and impact in the field ofmodern Chinese craft art.The research is conducted from three aspects:the theoretical origins of Xu Weinan’s craft art thoughts,the classification and connotations of craft art in Xu Weinan’s work"Chinese Art and Craftsmanship,"and Xu Weinan’s empirical methodology and itsvariations.The article first focuses on Xu Weinan’s life and artistic experiences,especially his major works"Gu Xiu Kao"and"Shanghai Cotton Cloth,"revealing their profound influence on the intersection of tradition and modernity,theoretical innovation,and aesthetic thought.Xu Weinan’s overseas experiences,particularly his academic and artistic activities in Japan and Shanghai,provided a rich cross-cultural background for the formation and development of his theories on craft art.Following this,the article explores different categories of craft art as described in Xu Weinan’s"Chinese Art and Craftsmanship,"such as jade ware,cloisonné,toys,and their combination of aesthetic and practical values.Additionally,it discusses the development of craft art within historical contexts,technological innovation,and the evolution of artistic styles.Lastly,it focuses on Xu Weinan’s methodology in craft art,including his adoption and application of Danne’s empiricism and the influence of Marx’s view oflabor on his craft art thoughts.Through comparative analysis of Xu Weinan’s"Art Philosophy ABC"and Danne’s"Art Philosophy,"the article reveals how Xu Weinan integrated Western art theories with Chinese traditional crafts.By comparing his work with that ofother craft artists and theorists of his time,it aims to evaluate the contributions and limitations of Xu Weinan’s empirical methodology inthe study of Chinese craft art.Overall,Xu Weinan’s craft art thoughts not only hold a significant position in the field ofmodern Chinese craft art but also provide a unique cross-cultural perspective for art history.This study offers new insights of Xu Weinan’s influence on the development of Chinese craft art.

  • 【网络出版投稿人】 四川大学
  • 【网络出版年期】2025年 12期
  • 【分类号】J52
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