【作者】 杨莹；

【导师】 高志民；

【作者基本信息】 东北师范大学 ， 音乐学， 2022， 硕士

【副题名】以歌剧《奥菲欧与优丽狄茜》为例

【摘要】 克里斯托夫·维利巴尔德·格鲁克是十八世纪德国著名歌剧作曲家,他毕生撰写的歌剧保存于世的大约有六十多部,包括正歌剧、喜歌剧以及改革歌剧。格鲁克在歌剧领域的改革为歌剧艺术的发展提供了明确的指引道路,也给之后的歌剧发展奠定了坚实的基础。他的歌剧改革之作《奥菲欧与优丽狄茜》极具代表性和典型性。本文可分为绪论、正文与结论三个部分。引言主要阐述了研究背景、研究内容等,并对查询到的相关资料文献进行分类整理,最后论述了选题的意义以及研究的方法。正文可分为五个章节:第一章梳理了歌剧在欧洲各个时期所呈现的特征;第二章详细论述了格鲁克歌剧改革中的口号以及具体创作技法的革新。第三章选取了格鲁克歌剧改革第一部优秀的歌剧作品《奥菲欧与优丽狄茜》,详细阐释了格鲁克歌剧改革在作品中的体现。第四章选取了“后格鲁克时代”的四位优秀歌剧作家,并通过他们的作品分析格鲁克歌剧改革对他们影响。最后第五章,笔者通过前文对格鲁克歌剧改革的论述,探讨了格鲁克歌剧改革对“后格鲁克时代”歌剧作曲家的影响。结论是本文的最后一个部分,笔者详细阐述了各个章节的具体写作思路和主要内容,从而体现了格鲁克改革产生的深远影响。更多还原

【Abstract】 Christoph Willibald Gluck was a famous German opera composer in the 18 th century.He wrote about 60 operas in his lifetime,including orthodox operas,comic operas and reform operas.Gluck’s reform in the field of opera provided a clear guiding path for the development of opera art,and also laid a solid foundation for the subsequent development of opera.His opera reform work "Orfeo and Euridice" is very representative and typical.This article takes this opera as the research object,from the three perspectives of music creation,music performance,and music appreciation,to explore the impact of Gluck’s opera reform in these three processes,and on this basis,expounds Gluck’s opera reform.The historical value and practical significance of opera reform to music and culture.This paper can be divided into three parts: introduction,main body and conclusion.The introduction mainly expounds the research background,research content,etc.,and sorts out the relevant information and documents inquired.Finally,it discusses the significance of the topic selection and the research method.The main text can be divided into five chapters: the first chapter sorts out the characteristics of opera in various periods in Europe;the second chapter discusses in detail the slogans of Gluck’s opera reform and the innovation of specific creative techniques.The third chapter selects Orfeo and Eurydice,the first outstanding opera work of Gluck’s opera reform,and explains in detail the embodiment of Gluck’s opera reform in the work.The fourth chapter selects four outstanding opera writers in "post-Gluck era",and analyzes the influence of Gluck’s opera reform on them through their works.Finally,in the fifth chapter,the author discusses the influence of Gluck’s opera reform on opera composers in the "post-Gluck era" through the discussion of Gluck’s opera reform.The conclusion is the last part of this article.The author elaborates the specific writing ideas and main contents of each chapter in detail,thus reflecting the far-reaching influence of Gluck’s reform.更多还原