纪录片《爷爷的苦与乐》老年形象的意蕴与表达

【作者】 杨磊；

【导师】 董从斌；

【作者基本信息】 曲阜师范大学 ， 艺术硕士（专业学位）， 2022， 硕士

【摘要】 在迈入新世纪之际,我国也迈入了老龄化国家的行列,“老龄化问题”已经成为我国急需解决的社会问题之一。在这样的社会背景下,越来越多的纪录片创作者开始关注这一群体。论文的核心内容为:老年人的夕阳红需要通过纪录片的艺术形式让老年形象富有浓缩时空之美,老人的言行所呈现的意蕴的美具有多种层面,现实中的苦乐皆具有美,纪录片中老人形象的塑造有助于其美感的产生,又有助于其人文情怀的抒发。论文运用案例分析法、比较研究法、文献研究法,通过挖掘中国老年题材纪录片中老年形象隐含的意蕴及表达方法,并结合自己创作的作品,既找到它们的优势,还提出目前存在的问题,提炼出老年题材纪录片中老年形象创作的一般方法,丰富了老年题材纪录片的研究内容,为提升老年题材纪录片的文化价值贡献了一点绵薄之力。在归纳总结了老年题材纪录片、影视作品中老年形象的研究现状和自二十世纪九十年代以来中国老年题材纪录片的创作现状后,重点讨论了如下几个部分:首先对老年题材纪录片、老年形象的概念作了阐述,并从被摄对象、创作者和观众三个层面定义了老年形象意蕴及表达的概念。其次对毕业作品《爷爷的苦与乐》中老年形象的意蕴进行研究,总结了毕业作品《爷爷的苦与乐》中老年形象的表达了逆向美的灵魂、亲人情感和时代反思三方面的意蕴。接下来通过对毕业作品《爷爷的苦与乐》中老年形象的表达展开分析,包括对片中的视觉语言、听觉语言和剪辑语言进行的分析,总结出本片是如何表达被摄老人的内外形象和艺术形象的。最后分析总结了中国老年题材纪录片在意蕴及表达方面存在的问题,并结合自身的创作经验,对中国老年题材纪录片在意蕴及表达方面的发展之道给出了自己的见解。希望能为提升中国老年题材纪录片的质量贡献一点绵薄之力。更多还原

【Abstract】 As China enters the new century,it has become one of the most pressing social issues in the country as it enters the ranks of an aging nation.Against this backdrop,an increasing number of documentary filmmakers have started to focus on this group.The core of this paper is the beauty of the elderly needs to be captured through the art form of the documentary,with the beauty of concentrated time and space,and multiple layers of implication in the words and actions of the elderly.There is beauty of the bittersweet in reality,an image of the elderly in a documentary contributes both to its beauty and to the expression of its humanistic sentiments.By using the methods of case analysis method,comparative research and literature research,this thesis found advantages and existing problems,and refined a general approach to the creation of images of the elderly by exploring the implicit implications and methods of expression of the elderly in Chinese documentaries on the subject of the elderly in conjunction with my works.That has enriched the research content of elderly documentaries and contributed to enhancing the cultural value of elderly documentaries.After summarized the status of research on the image of the elderly in documentaries and films,and the status of the creation of documentaries on the elderly in China since the 1990 s,the paper focuses on the following parts: Firstly,this thesis expounded the concepts of documentary on the theme of the elderly and the image of the elderly and the implication and expression of the image of the elderly are defined at three aspects: the subject,the creator and the audience.Secondly,this paper summarized that the image of the elderly in Bitterness & Joy of Grandpa expresses the soul of reverse beauty,the emotions of loved ones and the reflections of the times,by studying the meaning of the image of the elderly in the graduation project,Bitterness & Joy of Grandpa.Then,this thesis analyzed the representation of the elderly in the graduation project,Bitterness & Joy of Grandpa,including the analysis of the visual,auditory and editing language in the film,and concluded how the film represents the internal and external image and artistic image of the elderly subjects.Finally,the thesis analyzed and summarized the problems in the implication and expression of Chinese documentaries on the subject of the elderly,and offered insights on the development of the implication and expression of Chinese documentaries on the subject of the elderly in the light of my experience in creation.It is hoped that it will contribute to the improvement of the quality of elderly documentaries in China.更多还原