【作者】 章蓉；

【导师】 范文霈；

【作者基本信息】 扬州大学 ， 戏剧与影视学， 2022， 硕士

【摘要】 近年来,随着“文化自信”的积极推行和“历史影像”研究热潮的涌起,多数学者将目光聚焦在中国传统文化上。作为文化人类学中的重要元素,中国传统风俗习性广受学者重视,本文以文献纪录片《西洋镜》中的影像为研究对象;以近代中国民俗形象为研究内容;研究时间范围是1840年至1919年间中国近代前期。以文献研究法、内容分析法、视觉人类学研究法为研究方法。在前期工作中,作者通过整理文献纪录片《西洋镜》中的近代中国影像资料,统计分析得到初步结论,为揭示中国传统民俗形象下的文化意涵,作者借助直觉化、符号学及修辞学工具,来给予影像内容诠释与佐证。近代前期的中国处于社会政法和经济文化等全面变革的转型期,无论是在衣食住行等物质层面,还是婚葬嫁娶和社会交往等精神层面的风俗习惯都发生了巨大转变,并逐渐呈现出西风东渐的局面。基于影像诠释学,文章透过文献纪录片《西洋镜》中近代中国前期的563张民俗形象影像资料,研究中国物质、精神和制度三个维度中民俗形象的时代转变,为增强我国文化自信和传承中国传统文化奠定了基础。本文将文献纪录片《西洋镜》中的近代中国民俗形象视为一个整体的视觉文本,分章论述,从以下四个部分展开探讨:绪论部分共分三小节。一是选题背景、研究意义与概念界定,主要涉及中国近代、民俗形象和形象变迁的概念梳理。二是研究内容与研究方法,三是研究现状与基础理论。第一章为文献纪录片《西洋镜》概述,共分三小节。一是《西洋镜》的主题表现,二是《西洋镜》中的意义与价值,分为产制的意义和价值,三是《西洋镜》中的影像文本,四是《西洋镜》的叙事艺术,主要涉及叙事方式、叙事结构和表现手法。第二章是研究《西洋镜》中的民俗形象反映,共分三小节,立足纪录片本身,对其中的民俗形象做事实性的呈现,即在文献纪录片《西洋镜》中看到了哪些。一是个人生活形象,分为外在形象和内在形象,二是家庭生活形象,即在家庭生活中的风俗习惯,分为饮食、起居和交通三方面,三是社会生活形象,指人与人之间交往,主要是人际交往、婚丧嫁娶和文化生活。第三章是从民俗形象变迁看社会进步,共分三小节,一是民主意识的渗透,二是自由意识的觉醒,三是科技革命的追求。以历史阶段为主线,把物质、精神和制度三个维度作为社会进步的基本要素,深入剖析中国近代影像资料背后隐藏的文化意识形态观念。更多还原

【Abstract】 In recent years,with the active implementation of "cultural confidence" and the upsurge of research on "historical images",most scholars focus on Chinese traditional cultural symbols.As an important element in cultural anthropology,Chinese traditional customs and habits are widely valued by scholars.This paper takes the images in the documentary Zoetrope as the research object.Taking modern Chinese folk image as the research content;The research time range is from 1840 to 1919 in early modern China.Literature research method,content analysis method and visual anthropology method are used as research methods.In the preliminary work,the author sorted out the documentary film Zoetrope of modern China and made a preliminary conclusion through statistical analysis.In order to reveal the cultural implications of traditional Chinese folk images,the author used intuitive,semiotics and rhetoric tools to interpret and support the content of the images.In the early modern Period,China was in a transition period of comprehensive social,political,economic and cultural changes.Great changes took place in both material aspects such as clothing,food and housing,as well as spiritual customs and habits such as marriage,burial,marriage and social communication,and the situation gradually showed that the western customs were gradually spreading to the east.Based on the hermeneutics of images,this paper studies the changes of Chinese folk image in material,spiritual and institutional dimensions through 563 images of folk image in the documentary Zoetrope in the early stage of modern China,which,lays a foundation for strengthening Chinese cultural confidence and inheriting Traditional Chinese culture.In this paper,the image of modern Chinese folk custom in the documentary Zoetrope is regarded as a whole visual text,which is discussed in chapters and discussed from the following four parts:The introduction is divided into three sections.One is the background of the topic,the significance of the research and the definition of the concept,mainly involving the concept of modern China,folk image and image change.Two is the research content and research method,three is the research status and basic theory.The first chapter is an overview of the documentary Zoetrope,which is divided into three sections.The first is the theme expression of The Zoetrope;the second is the image text in the zoetrope,which is divided into the image source and author background;the third is the narrative art of the Zoetrope,which mainly involves the narrative mode,narrative structure and artistic expression techniques.The second chapter is the study of the folk image reflection in the Zoetrope,which is divided into three sections.Based on the documentary itself,the folk image is presented in fact,that is,what is seen in the documentary Zoetrope.The first one is personal life image,which is divided into external image and internal image;the second one is family life image,which is the customs and habits in family life,which is divided into diet,daily life and transportation;the third one is social life image,which refers to the communication between people,mainly interpersonal communication,marriage and funeral and cultural life.The third chapter looks at the social progress from the change of folk image,which is divided into three sections:the infiltration of democratic consciousness,the awakening of freedom consciousness,and the pursuit of scientific and technological revolution.Taking the historical stage as the main line and taking the material,spiritual and institutional dimensions as the basic elements of social progress,this paper deeply analyzes the cultural ideology hidden behind the Chinese modern image data.更多还原