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唐代达玛沟壁画艺术特色研究

A Study on the Artistic Features of Damagou Murals in the Tang Dynasty

【作者】 王丽;

【导师】 张春新;

【作者基本信息】 重庆大学 , 艺术(美术)(专业学位), 2021, 硕士

【副题名】对我创作的启示

【摘要】 新疆和田地区策勒县达玛沟佛寺遗址中出土的唐代壁画是西域考古的重要发现,壁画从题材内容、绘画技法上均呈现出新的面貌,再现了于阗画派的艺术辉煌。唐代时期的达玛沟壁画,造型生动有致、线条遒劲有力,设色雍容大方,兼具汉文化气息与地域特色,属典型西域汉风壁画,成为中国壁画史中具有代表性的壁画艺术。唐代达玛沟壁画艺术是民族审美与时代审美的融合,壁画中呈现出震撼人心的审美效果,对当今绘画创作具有重要的指导和启示意义。本文深入分析唐代达玛沟壁画的艺术特色,将壁画中主要的绘画语言融入作者的实践创作,进行探索与研究。本文通过六个章节来论述。第一章为绪论,从课题研究背景、研究现状、研究内容、研究方法、研究的创新点五个方面对论文进行可行性论证。第二章,结合图文资料,简明阐述唐代达玛沟壁画的历史背景、分布情况及题材内容;根据历史背景,对壁画中的文化因素进行解读。第三章,通过图像分析法对唐代达玛沟壁画艺术展开深入分析,从造型、线条、色彩、肌理四个方面探究该壁画的艺术特征。第四章,分析唐代达玛沟壁画的艺术价值,探究该壁画对古代于阗画派艺术风格的演进具有重要意义;同时该壁画的艺术风格,也对当今绘画创作提供一定的启示。第五章是论文重点章节,论述了唐代达玛沟壁画艺术对作者创作的启示,从审美观念、整体设计思想、绘画语言三个方面展开分析;具体分析作者的四幅创作作品,对唐代达玛沟壁画艺术在线条、色彩、肌理方面的借鉴与探索。第六章是结语,对整篇论文的总结概述,唐代达玛沟壁画是新疆的物质文化遗产,是新疆的精神文明象征,壁画中优秀的艺术语言,无论是造型、线条、还是色彩都为当今绘画的发展提供创新性启示,值得今人探究与学习。通过对这篇论文的撰写,分析和研究唐代达玛沟壁画的艺术特色,让我们更多的了解西域于阗壁画艺术的魅力,该壁画为当代绘画的发展提供新的绘画理念,为作者的创作提供创新性启示。在总结自己创作实践时,要保持优秀的传统审美格调,丰富自身艺术文化修养,才能探索多样化的艺术表现形式,创作具有个人风格的时代作品。

【Abstract】 The frescoes of the Tang Dynasty unearthed from the Buddhist temple site in Damagou,Cele County,Hetian,Xinjiang are important discoveries of Western Regions archaeology.The murals present a new look in terms of subject matter and painting techniques,reappearing the artistic brilliance of the Yutian School of Painting.The Damagou murals in the Tang Dynasty are vivid in shape,powerful in lines,graceful in coloring,and have both Han cultural flavor and regional characteristics.They are typical Western Han style murals and have become a representative mural art in the history of Chinese murals.The art of Damagou frescoes in the Tang Dynasty is a fusion of national aesthetics and the aesthetics of the times.The frescoes present a shocking aesthetic effect,which has important guiding and enlightening significance for current painting creation.This article deeply analyzed the artistic characteristics of the Damagou murals in the Tang Dynasty,and integrated the main painting language in the murals into the author’s practical creation,for the exploration and research.This article can be divided into six chapters.The first chapter is the introduction,which demonstrates the feasibility of the thesis from five aspects: research background,research status,research content,research methods,and innovations.The second chapter concisely elaborates the historical background,distribution and subject content of the Damagou frescoes in the Tang Dynasty based on the graphic materials,the second chapter also interprets the cultural factors in the frescoes based on the historical background.The third chapter analyzes the art of Damagou murals in Tang Dynasty through image analysis,and discusses the artistic characteristics of murals from four aspects:shape,line,color and texture.The fourth chapter analyzes the artistic value of the Damagou murals in the Tang Dynasty,and explores that the murals are of great significance to the evolution of the artistic style of the ancient Yutian painting school.At the same time,the artistic style of the murals also provides certain enlightenment for contemporary painting creation.The fifth chapter is the key chapter of the thesis.It discusses the enlightenment of the Tang Dynasty Damagou mural art to the author’s creation.This chapter also has a specific analysis of the author’s four works,together with the reference and exploration of the use of line,color and texture in the art of Damagou murals in the Tang Dynasty.The sixth chapter is the conclusion,a summary of the whole thesis.The Tang Dynasty Damagou frescoes are Xinjiang’s material cultural heritage and a symbol of Xinjiang’s spiritual civilization.The excellent artistic language in the murals,whether it is modeling,line,or coloring,provides innovative inspiration for the development of today’s painting,which is worthy of exploration and study by today’s people.By writing this thesis,analyzing and researching the artistic characteristics of the Damagou murals in the Tang Dynasty,we know more about the charm of the Western Yutian murals.The murals provides a new painting concept for the development of contemporary painting,and provides innovative inspiration for the author’s creation.When summarizing one’s own creative practice,one must maintain an excellent traditional aesthetic style and enrich one’s own artistic and cultural accomplishments,to explore diversified forms of artistic expression and create contemporary works with personal style.

  • 【网络出版投稿人】 重庆大学
  • 【网络出版年期】2023年 01期
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