【作者】 陈鹏；

【导师】 方小壮；

【作者基本信息】 南京大学 ， 美术学， 2021， 硕士

【摘要】 陈介祺,山东潍县(今潍坊)人,其身经嘉庆、道光、咸丰、同治、光绪五朝,是清代著名的金石收藏家,其收藏之宏富,时人无能出其右者。同时,陈介祺学识广博,加之其在京的宦游经历,形成了以陈介祺为中心的交游圈,其与友人的传拓、考释活动,无疑对当时的学术与书法风气产生一定的影响。通过对陈介祺研究,不仅能了解陈介祺书学观及书法面貌,更有助于我们掌握其时的学术与文艺发展方向。本文主要采用综合研究法,以图文互证的方法,将所收集的文献资料与图版资料作为依据,对陈介祺的书法实践以及书学观进行研究,通过对其各时期书学实践进行分期分类,将陈介祺书法风格分为早、中、晚三期,并分别与同时期其他书家的作品进行对比,充分展现陈介祺书法实践的特殊性,又通过梳理其书学主张,厘清陈介祺书学观的形成渊源。同时,阐述陈介祺对吴大澂以及后世学者在书学观以及书法实践上的影响。本文试图就陈介祺书法方面的成就提出自己的浅见,并希望据此对以后研究清晚期书法审美的差异性有所助益。更多还原

【Abstract】 Chen Jieqi,a native of Weixian(now Weifang),Shandong,was a famous collector of Jinshi in the Qing Dynasty during the five dynasties of Jiaqing,Daoguang,Xianfeng,Tongzhi,and Guangxu.He had a considerable collection,and no one could surpass him at that time.At the same time,Chen Jieqi’s extensive knowledge,and his was an official in Beijing,formed a relationship focused on Chen Jieqi.His activities of rubbing spreading,researching and explaining with friends undoubtedly had a certain influence on the academic and calligraphy atmosphere at that time.Through the research of Chen Jieqi,we can not only understand Chen Jieqi’s calligraphy views and calligraphy styles,but also help us grasp the direction of academic and literary development at that time.This article mainly adopts a comprehensive research method,using the method of mutual verification between pictures and texts,based on the collected documents and plate materials,to study Chen Jieqi’s calligraphy practice and calligraphy views,and classify his calligraphy practices in different periods by stages.Divided Chen Jieqi’s calligraphy style into three phases: early,middle and late,and compared them with the works of other calligraphers of the same period,to fully demonstrate the particularity of Chen Jieqi’s calligraphy practice,and clarify the origin of Chen Jieqi’s calligraphic views.At the same time,it expounds Chen Jieqi’s influence Wu Dacheng and later scholars on calligraphy views and calligraphy practice.This article attempts to put forward my opinions on Chen Jieqi’s achievements in calligraphy,and hopes that it will be helpful to the future study of the differences in the aesthetics of calligraphy in the late Qing Dynasty.更多还原