【作者】 王雷；

【导师】 李瑞哲；

【作者基本信息】 西北大学 ， 美术学， 2021， 硕士

【摘要】 敦煌在历史上作为连接东西方文化路上的重要干道,在文化交流和发展上扮演着重要的角色,敦煌壁画是中国古代无数艺术家智慧的结晶,更是中国历史上最为珍贵璀璨的艺术宝库,其壁画的题材内容丰富多彩,除了佛教人物壁画,还有表现山水、花鸟、动物等等,敦煌石窟中的壁画山水图像色彩绚丽、丰富多样,通过对敦煌壁画山水的研究可以很好地探寻中国古代山水画发展历程及其变化,壁画山水早期多作为背景出现在宗教人物题材中,后期也有一些全景式的山水题材出现。中国水墨山水自唐代开始发展,此后便一直占据着中国绘画艺术的重要部分,研究敦煌壁画山水,一则能够更深入地掌握中国山水画的发展全貌;二则,敦煌壁画山水图像具有一定的研究价值,还可继续深入研究。近现代诸多学者包括外国人都被敦煌壁画的魅力和神秘吸引而来,研究之并为其著书,笔者也抱着一份虔诚的心而来,取敦煌壁画中山水这一专题进行研究,并以榆林窟第3窟中的山水图像作为主要的研究对象,通过对此窟山水图像的研究全面认识敦煌西夏石窟壁画山水图像的风格面貌。在方法上,主要以史论结合和比较学研究为主,以探讨榆林窟第3窟壁画山水图像与中原地区山水图像之间的联系及其水墨特征,以便更深刻地认识西夏绘画艺术的历史发展。本文将注重对壁画山水画的横向研究,深入探讨敦煌西夏石窟壁画山水图像与同时期的政治、经济、文化、艺术等之间的联系,通过纵向研究去探讨其历史演变过程及其价值与成就,并注重比较研究的方法探讨西夏与各地绘画艺术之间的区别与联系,着重从山水图像的构图、色彩、笔墨、技法和内容上去探讨其水墨山水因素,试图从榆林窟第3窟山水图像去还原和挖掘西夏山水画的风格面貌。更多还原

【Abstract】 Dunhuang has historically been an important arterial road connecting Eastern and Western cultures and played an important role in cultural exchange and development.Dunhuang murals are the crystallization of the wisdom of countless artists in ancient China,and they are also the most precious and brilliant art treasure house in Chinese history.The subject matter of the Dunhuang murals is rich and varied.In addition to the Buddhist figure murals,there are also landscapes,flowers,birds,animals,etc.The murals and landscape images in the Dunhuang Grottoes are colorful and diverse.Through the study of the Dunhuang murals and landscapes,China can be explored well.The development process and changes of ancient landscape paintings.In the early days of Dunhuang murals,they were mostly used as backgrounds in the frescoes of religious figures.Later,there were also some panoramic landscape murals.Chinese ink and wash landscapes began to develop since the Tang Dynasty,and since then they have been occupying an important part of Chinese painting art.The study of Dunhuang murals and landscapes can give you a deeper grasp of the development of Chinese landscape paintings;and the other is that Dunhuang murals and landscape images have a certain degree of research.Value,we can continue to study in depth.Many scholars in modern times,including foreigners,have been attracted by the charm and mystery of Dunhuang murals.They studied and wrote books for them.The author also came with a pious heart and studied the landscape of Dunhuang murals.Taking the landscape images in the 3rd cave of Yulin Grottoes as the main research object,through the research and discussion of the landscape images in this cave,we can fully understand the style and features of the landscape images in the Dunhuang Xixia Grottoes murals.In terms of methods,it mainly focuses on the combination of historical theory and comparative research,to explore the relationship between the landscape images of the murals in the 3rd cave of Yulin Grottoes and the landscape images of the Central Plains and its ink features,so as to have a deeper understanding of the historical development of Xixia painting art.This article will focus on the horizontal study of murals and landscape paintings,in-depth exploration of the relationship between the Dunhuang Xixia Grottoes landscape images and the politics,economy,culture and art of the same period,and explore the historical evolution process and its value and achievements through longitudinal research.Pay attention to the method of comparative research to explore the differences and connections between Xixia and other local painting art,focus on the composition,color,brushwork,technique and content of the landscape image to explore the ink landscape factors,and try to restore the landscape image from the 3rd cave of Yulin Grotto And explore the style of Xixia landscape painting.更多还原