【作者】 许静；

【导师】 李清宇；

【作者基本信息】 华东师范大学 ， 中国古代文学， 2021， 硕士

【副题名】以其魏晋南北朝文学研究为例

【摘要】 本文以章培恒学术思想及其方法为研究对象,以章培恒教授魏晋南北朝文学实践为例,旨在阐明章培恒教授学术思想及方法的渊源、发展和意义。主要内容有:第一,绪论部分,系统的整理章培恒魏晋南北朝文学研究成果,同时梳理学界对章培恒魏晋南北朝文学的相关研究。第二,章培恒对马克思主义理论的接受:对个人、自我的强调。旨在探究章培恒教授人性之思想的理论渊源。主要表现为对于马克思主义理论的继承,以其曹植研究为例,章培恒教授的人性思想突出表现出了对于个人、个体的强调,同时进一步拓展了曹植诗歌的研究角度。第三,章培恒对鲁迅文学思想的承继:对于文学情感的重视。本章重在厘清章培恒教授对于鲁迅思想的承袭,从而在其文学研究实践中体现出对于情感的重视,尤其体现在章培恒教授以魏晋南北朝小说为研究对象中对于作家的情感、文学作品表现情感内容的书写的重视,并在此基础上为魏晋南北朝小说研究提供了全新的角度。第四,章培恒对以陈寅恪为代表的文学研究方法的承传:实证的研究方法。本章从章培恒教授学术研究方法出发,阐明章培恒教授继承乾嘉考据之学,延续陈寅恪先生诗史互证、具同情之了解等文学研究方法的基础上,严格遵守实证研究原则,尤为体现于章培恒教授魏晋南北朝时期《玉台新咏》研究实践中。梁陈一直是章培恒教授魏晋南北朝文学研究的重要板块,尤其是对于《玉台新咏》的研究。在此基础上,章培恒教授以实证研究为中心,指出《玉台新咏》编者为张丽华的创见,以及对于具体文本的细读中,指出其所表现的出于对于女性的赞美及其悲惨命运的同情的编撰思想。第五,章培恒对以韦勒克为代表的形式主义思想的吸纳:对于文学形式及其美感的强调。本章重在说明章培恒教授对于以韦勒克为代表的形式美学成果的自觉吸收,将内容赖以呈现的文学形式及其产生的美感作为魏晋南北朝文学研究中的考察重点,尤以章培恒教授对于魏晋南北朝时期宫体诗研究为代表,指出宫体诗致力于创造美对于文学的演进的进步意义。大体上论文通过对章培恒教授学术思想及其研究方法的梳理,论述在其学术思想及其研究方法的观照下的魏晋南北朝文学具体研究。更多还原

【Abstract】 This article takes Professor Zhang Peiheng’s academic thoughts and methods as the research object,and takes Professor Zhang Peiheng’s literary practice in the Wei,Jin and Southern and Northern Dynasties as an example to clarify the origin,development,application and significance of Professor Zhang Peiheng’s academic thoughts and methods.The main contents are:The first part is the introduction,which systematically organizes the research results of Professor Zhang Peiheng’s literature in the Wei,Jin and Southern and Northern Dynasties.Second,from Marxism to Professor Zhang Peiheng: the inheritance and expansion of the "human nature" thought.It aims to explore the theoretical origin of Professor Zhang Peiheng’s human nature thought.The main manifestation is the inheritance of Marxist theory.Taking his research on Cao Zhi as an example,Professor Zhang Peiheng’s human nature thought is prominently manifested as an emphasis on individuals and individuals.Third,from Lu Xun to Professor Zhang Peiheng: the continuation of the literary tradition of "stunning people’s hearts".This chapter focuses on clarifying Professor Zhang Peiheng’s inheritance of Lu Xun’s thoughts,so as to reflect his emphasis on emotions in his literary research practice,especially in Professor Zhang Peiheng’s emotions towards writers and the feelings of men and women in his works using Wei,Jin,Southern and Northern Dynasties novels as the research object.On this basis,it provides a new perspective for the study of novels in the Wei,Jin and Southern and Northern Dynasties.Fourth,Professor Zhang Peiheng’s empirical research methods.This chapter starts from Professor Zhang Peiheng’s academic research methods,clarifies that Professor Zhang Peiheng inherited the research of Qianjia’s textual research,and continued Mr.Chen Yinque’s literary research methods such as mutual verification of poetry and history,sympathetic understanding,etc.,strictly abiding by the principles of empirical research,and accompanied by necessary and prudent textual research.This is especially reflected in the research and practice of Professor Zhang Peiheng’s "New Odes to the Jade Terrace" during the Wei,Jin and Southern and Northern Dynasties.Liang Chen has always been an important section of Professor Zhang Peiheng’s literature research in the Wei,Jin and Southern and Northern Dynasties,especially the study of "New Odes to the Jade Terrace".On this basis,Professor Zhang Peiheng,centered on empirical research,pointed out the insight of Zhang Lihua as the editor of "New Odes to the Jade Terrace",and in his close reading of the specific text,he pointed out that what it showed was based on the praise of women and their tragic fate.Sympathetic codification thoughts.Fifth,Professor Zhang Peiheng’s emphasis on literary form and its beauty.This chapter focuses on explaining Professor Zhang Peiheng’s conscious absorption of the achievements of formal aesthetics represented by Wellek,taking the literary form and the aesthetics that the content relies on as the focus of the study of literature in the Wei,Jin,Southern and Northern Dynasties,especially Professor Zhang Peiheng’s The research on palace style poetry during the Wei,Jin,Southern and Northern Dynasties is the representative,pointing out that palace style poetry is dedicated to creating beauty and its progressive significance for the evolution of literature.Generally speaking,the paper discusses the specific research of Wei,Jin,Southern and Northern Dynasties literature based on his academic thoughts and research methods by combing the academic thoughts and research methods of Professor Zhang Peiheng.更多还原