【作者】 王静；

【导师】 戴永强；

【作者基本信息】 湖南师范大学 ， 美术（专业学位）， 2020， 硕士

【副题名】关于水彩作品《寻觅》的创作报告

【摘要】 重生源于宗教用语,现指精神上重获新生。生命是最基本存在的形式,包含着从生到灭的过程。生命虽然充满着困境,但只要具有坚韧不拔、顽强拼搏的意志必会走出困境,寻觅精神上重生;而生命本身的意义也在于寻觅重生的过程。古往今来,文学家和艺术家们以不少作品去探讨重生。不管是郭沫若的“凤凰涅槃,浴火重生”,还是中国传统美学中的“萧瑟凄寒”和“破而后立”,都表达了一种重生是需要打破原有的状态,去迎接新生的思想。而表现这些另类生命之美的作品表现出压抑沉闷的气氛和涅槃重生的思想,如席勒笔下的风景、蔡锦灿烂如血的美人蕉,或者是坎勒的枯萎森林,它们都表现出在把握生命的同时,不停向前探索重生的状态。以上作品从题材和内容上都为笔者带来了启发,明白了渺小却坚韧不拔地对抗恶劣环境的精神承载了寻觅重生的意义。仙人掌是坚韧不拔和荆棘困难的象征,适合以之作为表现寻觅和困难的符号,故对仙人掌素材进行了搜集,以此进行创作准备和练习,同时对其中存在的问题进行总结和反思;思考在创作过程中所忽略的内心状态,提炼出适当的小人象征入画,结合原有的仙人掌造型,通过一系列的色调、材料和技法的改进,对创作进行反复提炼;最终确立了以组画的方式去表现内心真实的心路历程,以三种不同色调去表现内心的情感变化的同时,也突出了寻觅与重生的关系。最后本文对创作过程进行总结和反思,一是对材料和技法尚未有精湛的技巧与深刻的认识,二是对象征符号选取、抽象和提炼上依然存在一定的局限,这些问题均是创作过程中的不足之处。以《寻觅》组画的创作形式,向各位优秀的艺术家学习了象征手法,同时也感悟到重生不仅限于精神状态的表达,最重要的是寻觅生命的意义。更多还原

【Abstract】 Rebirth stems from religious language,and now refers to a spiritual rebirth.Life is the most basic form of existence,including the process from birth to death.Although life is full of difficulties,the tenacious and tenacious will will make people out of the dilemma and seek spiritual rebirth;the meaning of life itself lies in the process of seeking rebirth.Throughout the ages,writers and artists have discussed the rebirth with many works.Guo Moruo’s "Phoenix Nirvana,Rebirth from the Fire",or "Xiao Shi’s Desolation" and "Break and Stand Back" in Chinese traditional aesthetics,all express a kind of thinking that rebirth needs to break the original state to welcome the new life.And the works that express the beauty of these alternative lives show a depressed dull atmosphere and Nirvana’s rebirth thoughts,such as the landscape depicted by Schiller,Cai Jin’s splendid canna,or the withered forest of Kanler,all while grasping life.,Continue to explore the state of rebirth.Therefore,after borrowing from the above works,the author was inspired by the cactus,and understood that the spirit of being small but tenacious against the harsh environment carried the meaning of seeking rebirth.The author collects cactus materials,and then prepares and exercises for the creation,and at the same time to summarizes and reflects on the existingproblems;thinks about the inner state ignored in the creative process,refining the appropriate character symbol into the painting,and combines the original.The shape of the cactus,through a series of tones,materials and technical improvements,repeatedly refined the creation.In the end,the author established the way of expressing the true inner heart in the form of group paintings.While expressing the inner emotional changes in three different tones,it also highlighted the relationship between seeking and rebirth.Finally,the author summarizes and reflects on the creative process.One is that it has not yet had superb skills and profound understanding of materials and techniques.The other is that there are still certain limitations in the selection,abstraction and refinement of symbolic symbols.These problems are all in the author ’ s creation.Limitations in the process.Through the creation of "Xunmi" group paintings,the author learned symbolic techniques from outstanding artists,and also understood that rebirth is not limited to the expression of mental state,but also the meaning of life.更多还原