吴碧霞声乐演唱与教学研究

【作者】 李欣；

【导师】 辛翠；

【作者基本信息】 曲阜师范大学 ， 音乐与舞蹈学， 2020， 硕士

【摘要】 当代民族声乐艺术环境可谓是百花齐放,青年歌唱家吴碧霞凭借多元化的独特艺术风格多次获得国际、国内大奖,引起业界高度关注,被赞誉为“中西合璧的夜莺”。吴碧霞的演唱独具艺术风格与魅力,她打破了传统与现代、民族与西洋、古典与流行的藩篱,在不失民族特色的前提下对其进行融合与再创造。她的作品既蕴涵了我国传统声乐艺术的民族性与创新性,又展现出西方声乐艺术的古典与浪漫之情怀。吴碧霞主要的声乐艺术理念就是“我从民族中来,要到民族中去”,声乐艺术发展必须要有根。对吴碧霞声乐演唱与教学进行研究,对当下声乐艺术的多元化发展具有借鉴意义。笔者运用了文献研究法、调查法、观察法以及访谈法对吴碧霞演唱艺术和教学进行研究。本文主要分为四章:第一章通过对吴碧霞声乐艺术观念的硏究得岀我从民族来,要到民族去”、“美好的歌唱是最协调的身体运动”、“演唱需立足于文化环境”三方面结论,并对观念是如何形成的做了细致阐述。第二章对吴碧霞的演唱技法进行归纳,并通过举例分析,总结出吴碧霞演唱技法上统一性与多元性的特征及体现。第三章对吴碧霞声乐教学方面进行研究,得出吴碧霞教学具有系统性与创新性的特点。第四章阐述了吴碧霞声乐演唱的传统性与包容性及作品演绎的文化性与审美性,总结了对声乐教师与声乐学习者的思考与启示。在本论文的研究过程中,笔者多次参与吴碧霞的演出和教学过程,她在舞台表演中精益求精,在教学授课中细致入微,这都源自于吴碧霞对声乐艺术强烈的责任感和使命感。笔者也期望本论文的研究能为声乐艺术的发展贡献出自己的绵薄之力。更多还原

【Abstract】 The artistic atmosphere of contemporary folk vocal music is like hundreds and thousands of flowers in bloom.Wu Bixia,a young singer,has won many international and domestic awards due to her diversified and unique artistic styles,known as Nightingale with the Combination of the East and the West.With her unique artistic style and charm,she breaks the barriers between traditional and modern,ethnic and western,classical and popular music,without losing national characteristics and still carries out the integration and recreation.Her works not only contains nationality and innovation of Chinese traditional vocal music,but also demonstrates the classical and romantic appreciation of western vocal music art.According to her vocal art concept of “from the nation,to the nation”,vocal music art development must have roots.The study on her vocal music singing and teaching is of reference to contemporary diversified development of vocal music.The author used the methods of literature research,investigation,observation and interview to study Wu Bixia’s singing art and teaching.This paper is mainly composed of four chapters.In the first chapter,three conclusions are drawn through the study of her vocal music artistic concept,i.e.,“ From the nation,to the nation”,“Good singing is the most coordinated body movement”,“Singing should be based on the cultural environment”,and the shaping of these concepts is elaborated in detail.In the second chapter,the characteristic of her singing techniques is summarized,and through the analysis of different cases,embodiment of her singing techniques on the unity and diversity is concluded.In the third chapter,by the analysis of her vocal music teaching,it is concluded that her teaching is systematic and innovative.And in the fourth chapter,through interpretation on the tradition and inclusiveness of her vocal music singing and cultural and aesthetic characteristics of her works,reflection and inspiration for vocal music teachers and vocal music learners are summarized.In the research process of this paper,the author has been involved in Wu Bixia’s performance and teaching process several times.She strives for excellence on stage performance and is meticulous in teaching and teaching,which are all derived from her strong sense of responsibility and mission for vocal music art.The author also hopes that the study can contribute to the development of vocal music art.更多还原