【作者】 娜仁其木格；

【导师】 方芳；

【作者基本信息】 内蒙古师范大学 ， 外国语言学及应用语言学， 2020， 硕士

【摘要】 二十世纪中期,语言学研究的核心变化之一是将研究的注意力由关注行为及文本转移到关注这些行为的内部机制。这一变化促成了认知语言学中一项新理论的诞生——图形-背景理论。图形背景理论最初起源于心理学,后来被格式塔心理学家借鉴来对感知进行研究。完形心理学家认为,知觉场总是被分为图形和背景两个部分。图形具有完整的结构,是指某一认知概念中突出部分或注意力的焦点;而背景则与图形相对,是指细节模糊的,未分化的部分,为了突出图形而起衬托作用。图形背景理论对句法有强大的阐释力,广泛运用于翻译、文学研究、语言教学等领域,可以运用于诗歌分析。作为中国文学史上重要的女性词人,李清照的词柔中带刚,完整的呈现了那个时代的女性对世界、人生和情感的认知。本文结合图形背景理论分析李清照词中的女性意识,有助于从认知方面深度分析和了解李清照词中所表达的女性意识。本文基于认知语言学框架下的图形背景理论,选取《乐府雅词》中李清照的23首词为语料,采用文本分析的方法,以其中的背景描写和人物描写词句为研究对象,从单句层面和复句层面分析宋代著名女词人李清照词中的女性意识。本文的研究问题为:(1)李清照词中图形背景关系在单句和复句层面如何实现?(2)依据图形背景理论,李清照词中表达了怎样的女性意识?研究发现:(1)在单句层面,图形背景关系主要表现在空间句、存在句和主谓关系句中;在复句层面,图形背景关系表现在时间关系句和因果关系句中。(2)通过结合图形背景理论的分析,李清照词中的女性意识主要分为三类:追求个性的女性意识,至情至爱的女性意识和追求女性价值的忧患意识中体现出的女性意识。本文依据认知语言学中的图形背景理论来分析和探讨李清照词中的女性意识,在拓宽图形背景理论研究范围的同时,也为宋词中,尤其是李清照词中的女性意识研究提供的新的视角,揭示女性意识表现过程中的深层认知机制。与此同时,本文为中国古典诗词的研究提供新的参考。更多还原

【Abstract】 One of the core changes in linguistic research in the mid-twentieth century was to shift the focus of research from attention to behavior and text to internal mechanisms that focus on these behaviors.which has led to the birth of a new theory in cognitive linguistics——Figure-Ground theory.The Figure-Ground theory originates from psychology,based on the principle of prominence.Later it is studied by the Gestalt psychologists who believe that the perception field is always divided into two parts: figure and ground.A figure has a complete structure,which refers to the focus of a certain cognitive concept or focus;while the Ground is opposite to the Figure,which refers to the fuzzy,undifferentiated part and plays a role in highlighting the Figure.As an important theory with strong explanatory power in cognitive linguistics,the Figure-Ground theory is widely used in the fields of translation,literary studies and language teaching,as well as poetry analysis.As an important poetess in the history of Chinese literature,Li Qingzhao uses a uniquely charming female creation mentality,showing the spiritual world of women bound by the feudal society of the time as well as the female’s rich inner world,to presents elegant and persistent character.This thesis analyzes the feminine consciousness in Li’s lyrics based on Figure-Ground theory,which helps to comprehensively analyzeand explore the feminine consciousness expressed in Li’s lyrics from a cognitive perspective.Based on the figure-ground theory in the frame work of cognitive linguistics,this thesis selects twenty three Li’s lyrics in Elegant Lyrics for Music Bureau Songs《乐府雅词》as the corpus,and adopts textural analysis,taking those descriptions which relate to the background and female character as the research object,tries to analyze the feminine consciousness in her lyrics at the level of simple sentence and complex sentence.The thesis discusses the following two questions:(1)How are the figure-ground relations realized in the organization of feminine consciousness in Li’s lyrics at the level of simple sentence and complex sentence?(2)What kinds of feminine consciousness are expressed in Li’s lyrics based on the Figure-Ground theory?The research findings are as follows:(1)At the level of simple sentence,the relationship of Figure and Ground is mainly manifested in spacial sentence,existential sentence and SVO structure;at the level of complex sentence,the relation of Figure and Ground is presented in the temporal sequential sentence and causal sentence.(2)Based on the analysis of Figure-Ground theory,the feminine consciousness in Li’s lyrics is mainly divided into three parts: the feminine consciousness of pursuing self-personality,the feminine consciousness of affectionate love and the feminine consciousness of suffering consciousness in pursuit of female value.The thesis intends to explore the feminineconsciousness in Li’s lyrics from the perspective of figure-ground theory in cognitive linguistics.On the one hand,it expands the research scope of the theory,on the other hand,it provides a new perspective for the cognitive research of feminine consciousness in Song lyrics,especially that in Li’s lyrics,revealing the deep cognitive mechanism in the process of expressing feminine consciousness.At the same time,this thesis intends to provide a new reference for the appreciation of Chinese classical poetry.更多还原