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《景颇族目瑙纵歌节日影像志》制作阐述
【作者】 张磊；
【导师】 巴胜超；
【作者基本信息】 昆明理工大学 ， 广播电视（专业学位）， 2019， 硕士
【摘要】 民族节日是民族文化的缩影,特别是一些“传统节日”,随着我国文化复兴浪潮的涌起,它们正成为继承民族物质和精神文化的载体,对于当下的民族和地方振兴计划也是意义重大的。“中国节日影像志”是文化部民族民间文艺发展中心规划执行的“中国节日志”项目中的重要组成部分,该项目还包括“中国节日文化数据库”和“中国节日志(文本)”两部分。它是我国第一次系统针对传统节日拍摄记录的重大研究项目,也是我国继上世纪50年代“少数民族社会历史科学纪录影片”影像实践之后的又一次重大国家行动。“中国节日影像志”旨在记录中国各民族、各地区的传统节日,以客观反映节日现状为特征,为国家积累节日影像资源,为学术研究与文化传播提供资料基础,传播与发展中国优秀传统文化。《景颇族目瑙纵歌节日影像志》是《中国节日影像志》项目下的一个子课题,以田野调研、实地拍摄为基础,真实、完整地记录下第三十七届朋生目瑙纵歌节组织运转情况。影片按照时间顺序叙事,依次展示了目瑙纵歌节节日前、中、后每一个阶段的各文化事项及人物活动。“《景颇族目瑙纵歌节日影像志》制作阐述”,从六部分详细阐述了影像志制作的前期准备工作、中期拍摄过程、后期剪辑工作。并从积累影像志制作经验的角度出发,对制作过程中的每一个阶段进行经验总结,以便今后进一步提升关于节日影像志的理论和实践创作。第一部分从选题背景入手,阐释节日影像志制作的现状,梳理国内外关于节日影像志的理论创作现状和实践创作现状,进而阐明“景颇族目瑙纵歌节日影像志”制作思路及方法;第二部分从研究对象出发,对目瑙纵歌节的起源、发展与演变、功能与价值进行了梳理;第三部分论述了本作品田野调研和前期准备情况;第四部分是本作品的中期拍摄过程,详细展示了拍摄过程中的拍摄方案制作、摄制团队组建、设备选择、拍摄技巧以及经验总结;第五部分是影片的后期制作阐述,从挑选素材、影片粗剪、影片精剪、后期效果制作到输出成片,整个过程都进行了理论和实践的论述;最后一部分是基于实践对影像志制作经验的总结,同时立足影片的放映活动,探讨节日影像志的传播行为。
【Abstract】 National festivals are the epitome of national culture,especially some "traditional festivals".With the upsurge of China’s cultural Renaissance,they are becoming the carrier of inheriting national material and spiritual culture,which is of great significance to the current national and local revitalization plan."Chinese Festival Photography" is an important part of the "Chinese festival chronicle" project,which is planned and implemented by the ministry of culture national folk literature and art development center,which also includes "Chinese Festival Culture Database" and "Chinese Festival Chronicle(text)".It is the first systematic research project of china,which focus on the shooting and recording traditional festivals,and it is also another major national action after the video practice of "minority social and historical science documentary films" in the 1950 s."Chinese festival photography" aims to record the traditional festivals of various ethnic groups and regions in China,which is characterized by objective reflection of the current situation of festivals,to accumulate festival video resources for our country,to provide information basis for academic research and cultural communication,and to spread and develop excellent Chinese traditional culture."Jingpo Mu Nao Zong Ge festival photography " is a sub-project of "Chinese Festival Photography" project.Based on field research and field shooting,it truly and completely records the organization and operation of the 37 th pentson munao Zong Ge festival.The film tells the story in chronological order,showing the cultural events and activities of people in each stage of munao song festival.The production and elaboration of Jingpo Mu Nao Zong Ge festival photography are described in detail from six parts,including the preliminary preparation work,the middle shooting process and the later editing work.And from the perspective of accumulating experience in the production of video records,I summarized the experience of each stage in the production process,so as to further enhance thetheoretical and practical creation of festival video records in the future.The first part starts with the background of the topic,explains the current situation of the production of festival video records,sorts out the current situation of the theoretical and practical creation of festival video records at home and abroad,and then clarifies the production ideas and methods of "Jingpo Mu Nao Zong Ge festival photography".In the second part,starting from the object,the origin,development and evolution,function and value of munao song festival are analyzed.The third part discusses the field research and preliminary preparation of this work.The fourth part is the mid-term shooting process of this work,which shows the shooting plan making,the construction of the shooting team,the selection of equipment,the shooting skills in detail and summarizes the experience in the shooting process.The fifth part is the elaboration of the film post-production,from the selection of materials,film rough cut,film fine cut,post-effect production to output into a film,the whole process has been carried out in theory and practice;The last part is based on the practice of video production experience,and based on the film screening activities,to discuss the spread of the festival video behavior.