【作者】 韩阳；

【导师】 陈丽平；

【作者基本信息】 辽宁大学 ， 中国古典文献学， 2019， 硕士

【摘要】 本论文主要研究汉魏晋南北朝时期班固的文学接受情况,班固在文学史的地位举足轻重,后代文士对班固作品及其思想进行过多方面的解读和阐释。为了能多角度地研究班固的接受史,有必要把握班固文学接受在文学史中的历时性发展,总结不同阶段体现出的接受特色,并发掘产生不同接受形态背后的原因,从而对班固的思想及其作品有更全面的了解。本文按时期将班固接受区分为两个层面:以创作者为主体和以评论家为主体的接受研究,其中对研究班固接受有重要作用的著作、文士以及能典型体现出对班固接受的文学作品会进行单独论述。本文将分为五部分进行展开:第一部分为绪论,首先对班固目前的研究现状进行整体上的把握和分析,而后对选题的现实意义、研究特色以及可能的创新之处进行说明。第二部分主要探讨班固文学作品的特色及其文学思想的时代意义,主要从班固在赋、文方面的发展与创新以及其五言《咏史》诗的首创之功两方面进行论述。第三部分主要探讨东汉文士对班固作品的接受情况。评价方面,共时文士王充对于班固文学地位和美颂思想进行了肯定。创作方面,班固实开东汉文人作京都赋的风气,张衡摹拟班固《两都赋》所作《二京赋》成为京都赋创作的又一高峰,张衡在赋作题材构思上对班固进行模仿,而思想主旨因时代背景和个人经历的不同产生了新变。除京都赋外,东汉文士对班固《答宾戏》也多有摹拟之作。第四部分主要探讨魏晋文士对班固文学题材的继承与创新,由于此时文士更加注重个人内心感情的表达,因此以歌功颂德为创作宗旨的京都赋在这一时期逐渐失去主流地位。虽然摹拟创作方面出现了左思《三都赋》这一巨著,但式微之势不可避免。诗歌方面,班固《咏史》诗得到了魏晋文士的继承和发展,以咏史写咏怀。第五部分就代表性的文士对于班固作品的收录和评价进行研究。南朝时期文学理论快速发展,所以对班固的探讨作品较多。其中《后汉书》编录班固赋作并对其文学地位和颂美思想进行肯定。萧统《文选》对于班固文质兼美的作品进行编录,确立了班固宣扬君德作品的经典地位。《文心雕龙》对于班固进行了全方位的品评,肯定了班固文学的雅正特点和文章的致用功能,还兼及对其品行、才华的评价。更多还原

【Abstract】 This paper mainly studies Ban Gu’s literary acceptance during the Han Wei Jin Southern and Northern Dynasties.Ban Gu plays an important role in the history of literature,and his works and thoughts are often interpreted by the later generations of literati,whose significance and value are recognized in the process of imitation and interpretation.The influence of social background,literary trend,artistic aesthetics and other aspects makes its acceptance show different characteristics.This paper will divide Ban Gu’s acceptance into two levels according to the period: The study of acceptance with creators as the subject and critics as the subject.The works,characters,and works that can typically reflect the acceptance of Ban Gu will be discussed separately.This paper will be divided into five parts:The first part is the introduction.First of all,the overall grasp and analysis of the current research status of Ban Gu.Then explain the practical significance,research characteristics and possible innovations of the topic.The second part mainly discusses the characteristics of Ban Gu’s literary works and the epochal significance of his literary thoughts.Ban Gu’s development and innovation in literature,and its five words " Lamenting the History" has been inherited and innovated.Scholars often use the ancients and history to express poem’s pioneering achievements.The third part mainly discusses the acceptance of Ban Gu’s works by literati in the Eastern Han Dynasty.In terms of evaluation,Wang Chong,a literati at that time,highly affirmed Ban Gu’s literary status and his thoughts on ode to beauty.In terms of creation,Ban Gushikai’s style of writing Kyoto Fu by literati in Eastern Han Dynasty and Zhang Heng’s imitation of Ban Gu’s Er Jing Fu by Ban Gu’s Liangdu Fu have become another peak of Kyoto Fu creation.Generally,Zhang Heng imitates Ban Gufu’s theme conception,and his ideological tendencies are different according to the different background of the times.In addition to Kyoto Fu,the literati of Eastern Han Dynasty imitated Ban Gu’s Ta Bin Opera.The fourth part mainly discusses the inheritance and innovation of the literary themes of Ban Gu by the literati of Wei and Jin Dynasties.At this time,the literati paid more attention to the expression of their inner feelings.Therefore,the Kyoto Furepresented by Bangu gradually lost its mainstream status in this period.Although the great work “Sandu Fu” by Zuo Si appeared in the aspect of mimical creation,its tendency from prosperity to decline is inevitable.In terms of poetry,the subject matter of Ban Gu’s " Lamenting the History" has been inherited and innovated.Literati often use the ancients and history to express their inner feelings.The fifth part studies the inclusion and evaluation of Ban Gu’s works by representative literati.Under the rapid development of literary theory in the Southern Dynasty,Ban Gu was discussed on a large scale.Among them,“The Book of the Later Han Dynasty” catalogues Ban Gu’s works and affirms his thought of eulogizing beauty.In Xiao Tong’s "Selected Works",the works of Ban Gu’s literary and beautiful works were catalogued,and the classic status of Ban Gu’s works that promoted the virtues of the people was established."The Heart of Literature Carving Dragon" carries on the omni-directional appraisal to the Ban Gu literature,affirmed the Ban Gu literature’s elegant and upright characteristic and the article’s practical function,but also to its conduct,the talented appraisal.更多还原