【作者】 张亚娟；

【导师】 王进进；

【作者基本信息】 郑州大学 ， 艺术学理论， 2019， 硕士

【摘要】 贾樟柯导演作为中国第六代导演的领军人物,拍摄了众多质量上乘的电影作品,继承了意大利新现实主义的创作理念,追求纪实风格,淡化故事情节,叙事平铺直叙。导演用长镜头凝视着眼前发生的一切,对社会表象有极强的穿透力。在这个以票房论电影的时代,他依然能够坚守自己的艺术创作,依然能够表现边缘的小人物,这种知识分子的良知实在难能可贵。本文对迄今为止贾樟柯导演所有的电影作品做了一个清晰的梳理,通过分析贾樟柯导演本人的成长经历对其电影创作的影响,把握其创作流变及审美意涵,探讨贾樟柯电影困境的同时,肯定了其在中国电影史上的重要地位并提出了未来展望。本论文分为三章,加上绪论和结语共五个部分。绪论主要包括本论文的选题背景与意义、国内外研究现状、研究目的、研究内容与方法。贾樟柯导演本人及其作品处于既备受关注又被冷落的矛盾状态,笔者肯定了其作品的艺术价值和导演强烈的问题意识,呼吁更多的人去关注其作品的主题传达,同时阐述了目前国内外关于贾樟柯电影研究的现状,提出了研究目的、研究内容及方法。正文第一章阐释了贾樟柯导演本人的成长经历以及经典电影启蒙对其电影创作的影响。笔者对贾樟柯电影作品做了一个清晰的分期梳理,从整体上认识其电影作品的主题传达和视听风格。第二章分析了贾樟柯电影审美意涵。宏观上归纳出其作品的视角,从现代化进程和小人物的生存状态来进行分析,从《小武》到《江湖儿女》,几乎每一部作品都呈现了现代化对小人物的影响,小人物在城镇现代化过程中,往往是无能为力的,小人物视角体现了导演的问题意识以及高度的人文关怀精神。第三章探讨了贾樟柯电影作品的价值、局限与未来展望。笔者从民间写照的层面来解读其作品价值,指出了其作品局限以及其面临的困境,并提出未来展望。贾樟柯电影作品在中国电影史上独树一帜,不可或缺,最终希望贾樟柯导演能够肩负起中国电影发展的使命,希望更多的人去关注其作品的内在价值。结语部分肯定了贾樟柯电影作品的艺术成就,同时阐述了其创作流变,由之前赤裸裸的主题呈现变为了后来的过于隐晦,特别是近几年与商业市场的靠拢使其电影的艺术质地有所流失,希望贾樟柯导演能够坚守文艺路线,为我们带来更多发人深思的作品。更多还原

【Abstract】 Director Zhangke Jia,as the leader of the sixth generation of Chinese directors,has produced many quality films.His works inherit the concept of Italian neo-realism.He pursues the documentary style,dilutes the storyline.He is narrative and straightforward,staring at everything that happens in front of the eyes with a long lens.The director’s penetration of social representation is shocking.In this era,the box office decides the success or failure of the film.But the director is still able to stick to his artistic creation and still be able to represent the people on the edge.The conscience of this intellectual is really valuable.This article makes a clear combing of all the film works directed by Jia Zhangke.By analyzing the influence of director Jia Zhangke’s own growth experience on his film creation,we can grasp his creative evolution and aesthetic meaning.While discussing the dilemma of Jia Zhangke’s film,this paper affirms its important position in the history of Chinese film and puts forward future prospects.This thesis is not only divided into three chapters,but also the introduction and conclusion.The introduction mainly includes the background and significance of the topic,the research status at home and abroad,the research purpose,the research content and methods.Director Jia Zhangke and his works are in a state of contradiction that is both concerned and ignored.The author affirms the artistic value of his works and the director’s strong sense of problem,and calls for more people to pay attention to the theme of his works.At the same time,it expounds the current status of Jia Zhangke’s film research at home and abroad,and puts forward the research purpose,research content and method.The first chapter of the text explains the growth experience of director Jia Zhangke and the influence of the classic film enlightenment on his film creation.The author has made a clear combing of Jia Zhangke’s film works.We can make an overall understanding of the theme of his film works and audio-visual style.The second chapter analyzes the aesthetic meaning of Jia Zhangke’s film,and summarizes the perspective of his works from the macro,and analyzes from the modernization process and the living conditions of the small people.From "Xiaowu" to "Ash is Purest White",almost every work Jia Zhangke presents the influence of modernization on small people.In the process of urban modernization,small people are often powerless.The small people perspective reflects the director’s problem awareness and a high degree of humanistic care.The third chapter discusses the value,limitations and future prospects of Jia Zhangke’s film works.The author interprets the value of his works from the perspective of folk portrayal,points out the limitations of his works and the dilemmas he faces,and proposes the future prospects.Jia Zhangke’s film works are unique in the history of Chinese films and are indispensable.In the end,the author hopes that Director Jia Zhangke can shoulder the mission of Chinese film development and hopes that more people can pay attention to the intrinsic value of his works.The conclusion part affirms the artistic achievements of Jia Zhangke’s film works,and expounds the changes of his creation.From the previous naked theme to the later is too concealed.In particular,the closeness of the commercial market in recent years has led to the loss of the artistic quality of the film.The author hopes that Director Jia Zhangke can stick to the literary line and bring us more thought-provoking works.更多还原