【作者】 张宁；

【导师】 李娜；

【作者基本信息】 辽宁师范大学 ， 艺术硕士（专业学位）， 2019， 硕士

【副题名】以咏叹调《来生来世把你爱》为例

【摘要】 咏叹调《来生来世把你爱》出自大型原创歌剧《运河谣》,由著名作曲家印青创作。这首作品,因其极具挑战性的演唱技巧和情感表现,被视为女高音演唱者的试金石。完成这首作品需要演唱者对歌唱中情与声的关系有一定的理论基础和运用能力,所以学习并演唱这首作品本身就是一个探索理论与实践相结合的过程,也是对自身多年声乐学习成果的审视和梳理,因此选择这部作品进行研究和例证。本文从中国新歌剧《运河谣》中最具代表性的咏叹调《来生来世把你爱》入手,细致地分析主人公水红莲的形象塑造,并结合自身的演唱经验,探究作品的创作特征以及演唱处理,最终分析自身在演唱学习中的体会,梳理演唱过程中自身产生的感悟与启示。文章共分为三章,第一章是对《运河谣》中女主人公水红莲的形象分析,首先是根据歌剧的创作背景及剧情进行简单描述,进而对水红莲的形象特征进行剖析,为演唱时准确生动地塑造人物形象打下基础。第二章分析了歌剧的作品曲式以及演唱处理,其重点是演唱该作品时的气息控制、语言发音、音色力度、情感表达四个方面进行细致地阐述,并结合自身的演唱实践进行例证。第三章具体讲述了笔者自身在演唱选段《来生来世把你爱》的过程中受到的启示,认识到了声乐演唱中实践积累与理论梳理相结合的重要性,演绎作品时要以情带声,以声助情,并且重视演唱中自身与钢琴伴奏的配合。更多还原

【Abstract】 The aria " The Afterlife Love" comes from the large-scale original opera " Canal Ballad" and was created by the famous composer Yin Qing.This work is regarded as a touchstone for soprano singers because of its challenging singing skills and extremely difficult emotional expression.The completion of this work requires the singer to have a certain theoretical foundation and application ability for the relationship between emotion and sound in singing.Therefore,learning and singing this work itself is a process of exploring the combination of theory and practice as well as examining and combing the achievements of his vocal music learning for many years.Therefore,this work is selected for research and illustration.This article starts with the most representative aria " The Afterlife Love" in China’s new opera "Canal Ballad",analyzes the image of the hero Shui Honglian in detail and combines the own singing experience,explores the creative features of the works and the handling of singing,finally analyzes writer’s own experience in singing learning and combs his own feeling and inspiration in the singing process.The article is divided into three chapters.The first chapter is an analysis of the heroine Shui Honglian’s image in Canal Ballad.The first chapter is a brief description based on the creation background and plot of the opera.The second chapter is an analysis of the image characteristics of Shui Honglian which lays a foundation for accurately and vividly portraying the characters in singing.The second chapter analyzes the musical form and singing process of the opera which focuses on the four aspects of breath control,language pronunciation,timbre strength and emotional expression during singing in the opera and exemplifies the singing practice.The third chapter specifically tells the author’s own inspiration in the process of singing the selected passage " The Afterlife Love".It realizes the importance of combining practice accumulation and theory combing in vocal music singing.When performing the work,one should take emotion with sound,assist emotion with sound and attach importance to the coordination between myself and piano accompaniment in singing.更多还原