【作者】 陈浩；

【导师】 李未明；

【作者基本信息】 厦门大学 ， 音乐与舞蹈学， 2017， 硕士

【副题名】以钢琴即兴演奏为例

【摘要】 笔者自幼学习键盘乐器,20年余来,接触了单排键电子琴、钢琴和双排键电子琴,在学习三种乐器的过程中都接触了键盘即兴演奏。这其中,以钢琴即兴演奏的学习时间最长,最为扎实。进入大学阶段的学习后,笔者发现当下无论是业余钢琴教育或者专业院校的钢琴教育,更多注重的是作品整体风格的把握与手指技术的提升,即兴演奏的学习并不在大部分钢琴专业本科生的学习范围内。而在本人的教学实践中,大多数有钢琴基础的学生对键盘和声完全没有概念,无法准确把握和声的色彩、功能以及走向,甚至有一部分学生连最基本的一级、四级和五级和弦都弄不清楚,对即兴演奏的学习造成了极大困难。针对自己的擅长领域以及对当前教育情况的反思,本文以钢琴即兴演奏为例,来谈论自己对于有效培养键盘即兴演奏中和声思维的看法和思路。本文分为三个部分,第一部分是“必要的前期准备工作”,为第二部分的“技能训练——从键盘和声基础到即兴演奏”做铺垫,第三部分为“和声审美的具象化”,在熟练掌握技能的基础上分析和声的作用,根据作品风格、受众与场合等各种不同的需求对和声进行选择。笔者希望能通过本文为广大键盘演奏者、键盘即兴演奏爱好者和音乐爱好者提供一套可行的培养和声思维的思路,使更多人能够喜欢并且更好地完成键盘即兴演奏。更多还原

【Abstract】 The author has since childhood been exposed to keyboard instruments including single key electronic organ,piano and electronic organ,during which he picked up keyboard improvisation skills.He devoted most of his effort to piano improvisation and thus has solid foundation in it.In his college years,the author found that both current amateur and professional piano education emphasize training the learners in reproducing the holistic style of the pieces and in finger techniques,while improvisation falls out of most of such courses.Moreover,the author had clear knowledge from his daily teaching activities of the many difficulties piano learners face.Students with some piano background mostly have vague perception of the mood,function and direction of chords.Some even tend to be puzzled by basics like primary chords.Starting from his specialty and his reflections upon the current piano education,the author in this paper elaborates on his theory and methodologies in training the learners,harmony thinking in keyboard improvisation(here specifically in piano improvisation).This paper covers three parts.The first part talks about the Necessary Preparations that constitute the foundation for the second part:Skill Training-from Basically Practice of Keyboard Harmony to Improvisation.The third part’s titled "Concretization of Harmony Aesthetics".This part analyzes the function of chords and specifies the choice of chords according to style,audience and occasion.This paper intends to help more people find interest and have better performance in keyboard improvisation by providing them with feasible methodologies in fostering harmony thinking.It can hopefully inspire future researches into the same or similar fields.更多还原