节点文献
晋剧“爱爱腔”流派的艺术探究
The Exploration of the “Tunes of Aiai” Genre on Shan Xi Opera
【作者】 王君;
【导师】 焦春梅;
【作者基本信息】 山西大学 , 音乐与舞蹈学, 2017, 硕士
【摘要】 中华戏曲作为世界三大古老戏剧唯一流传至今且还在乡村舞台上演的艺术表演形式,可谓渊源流长。山西作为戏曲的摇篮,从北宋孔三传的诸宫调研究奠定了我国戏曲音乐形成之最后一块基石,可证山西戏曲的重要地位。即使在诸多剧种濒危的当下,山西戏曲种类仍约占全国总数的五分之一。晋剧作为山西戏曲之典型代表,位于四大梆子之首,发端于明中叶,在晋商鼎力支持下健步发展,终得观众喜爱,盛行于山西晋中、晋北,陕西北部、内蒙古南部的部分地区。2006年5月20日,经由国务院批准,晋剧列入第一批国家级非物质文化遗产名录。晋剧的发展蜕变,形成了其独特的艺术风格,锤炼了诸多演唱流派,其中以“爱爱腔”为最。本文从优秀晋剧表演艺术家、“晋剧皇后”王爱爱的艺术生涯切入,通过面对面采访王爱爱本人,了解其从艺经历,形成王爱爱的口述史,并辅以相关文献和戏剧专家郭士星、晋剧表演艺术家武凌云、孙丽芳等的佐证,以证明口述研究材料的真实有效性。之后,梳理“爱爱腔”形成发展过程,总结其艺术特征和传承所面对的问题,并给出本文的思考,以让更多人——尤其是年轻人了解晋剧、喜欢晋剧、爱上晋剧。全文共计六个部分:绪论阐述本文的写作目的和意义、研究问题已取得的成果和尚未解决的问题、研究的方法和目标以及本文的创新之处。第一章较为详细地梳理了王爱爱近七十年的艺术生涯;第二章在实际采访王爱爱本人、戏剧专家郭士星、优秀晋剧艺术家武凌云、孙丽芳的基础上整理归纳王爱爱“爱爱腔”流派的形成和发展;第三章分析“爱爱腔”流派的艺术特色,结合声乐发声机理,从音乐声学的角度对“爱爱腔”的发声特点进行探究和阐释;第四章从王爱爱“爱爱腔”的发展流行引发思索,结合现代晋剧《守护夕阳》及对国家一级编剧、导演王小东的采访,对面对现代社会,如何能够将晋剧(传统文化)在不失其传统特色特点的前提之下更好的传承、保护做出思考。结论部分对全文整体概述,站在我们每一个音乐学习者的角度,结合习总书记在文艺工作座谈会上的讲话,希望能够对中华民族五千年的文化繁荣壮大贡献一份力量。
【Abstract】 The Chinese traditional opera as the world’s three largest ancient drama only circulates and stage art performance forms,in the country is my lover.Shanxi as the cradle of opera,from the northern song dynasty hole three research laid the biography of yingying finally a cornerstone of opera music form in our country,the important role of verifiable shanxi opera.Even endangered in many different types of the moment,shanxi opera types still accounts for about one of the total in the country.JinJu,as a typical representative of shanxi opera,located at the top of the big four bangzi,originated in the middle period of Ming,striding development under the business support,eventually the audience favorite,prevails in shanxi jinzhong,Shanxi Province,northern shaanxi,Inner Mongolia,parts of the south.On May 20 th,2006,Shanxi Opera approved by the State Council,were placed into the first Non-material cultural heritage name list.Shanxi Opera has won such an unprecedented reputation not only by having a characteristics in singing,performance and rhythm,but also gaves us a great number of outstanding Shanxi Opera performers who devoted themselves in the Shanxi opera.The paper that was described from the artistic career of Aiai Wang,the excellent performance artist of Shanxi opera and The Queen of Shanxi Opera in the beginning,searching information and analyzing,then interviewing Aiai Wang,the opera expert Shixing Guo and the excellent artist of Shanxi opera Lingyun Wu and Lifang Sun actually,so as to further study the feature of the School on the Tunes of Aiai.The paper also focuses on the topic that leads many people especially the young ones to get to know more about The Shanxi opera,take an interest in the Shanxi opera and love the Shanxi opera deeply without losing the tradition.This paper includes six parts: The introduction part which explains the writing purpose and significance,achievements and unsolved problems,research methods and goals and the innovation of this paper.The chapter one narrates the academic career of Wang Aiai nearly seventy years in detail.The second chapter on the basis of interviewing Aiai Wang,drama experts Shixing Guo,outstanding artist of Shan Xi Opera Lingyun Wu,and Lifang Sun sums up the formation and development about the School of “ Tunes of Aiai”.The third chapter analyzes the characteristics of the School of “ Tunes of Aiai”,combining vocal sound mechanism,from the angle of music acoustics,exploring the voice characteristics of “ Tunes of Aiai”.And the chapter four narrated based on the development of “ Tunes of Aiai”,combining with modern Shan Xi Opera Protecting the Sunset and the interview with Xiaodong Wang who is the national level screenwriter and director.For the face of modern society,people should think that how can we inherit and protect our traditional culture without losing its traditional features,and put forward the idea.In the conclusion part,it is the overview for the whole paper,and from the perspective of each of us a music learner,combining with the speech of chair Xi in Art work forum,hoping that contributes a strength to thrive the Chinese nation in its five thousand culture.
【Key words】 Shan Xi opera; Tunes of Aiai; Art of the school; Heritage and protection;