【作者】 王敏；

【导师】 杨先艺；

【作者基本信息】 武汉理工大学 ， 设计学， 2015， 硕士

【摘要】 随着生活节奏的加快、社会竞争的加剧、生活压力的加重,“简约主义”越来越受到人们的关注,它也和“绿色设计”、“可持续设计”等一起成为当今设计的主流趋势之一。仅将它看成一种设计风格是比较局限的,它更是一种思想、文化、美学定义,是一种对待事物的思考方式和解决问题的处理方法。“简约主义”探索事物的本质,强调回归本原、回归自然,将丰富的内涵用简单的方式表现出来,以简驭繁。迄今,东西方各国均对“简约主义”有不同角度和不同领域的探索,也取得了相应的成果。西方主要侧重于设计实践层面,在不同设计领域均有了相对成熟的设计方法,并产生了很多著名的简约设计大师及优秀作品,同时也有诸如苹果、宜家这样的国际知名品牌;东方在理论思想方面相对更有深度,植根于深厚的文化传统,从更广更深的角度,结合哲学思维去研究“简约主义”,日本的无印良品就是东方的设计代表。事实上中国在文化上的优势并不输日本,甚至更博大精深,然而拥有丰富“简约”思想源流的文化并没有让中国的简约设计之路走的独立稳健,可以说中国的简约设计之道才开始。抱着包容开放的心态学习西方,学习日本,吸收优秀文化传统,用哲学的高度和文化的深度去研究“简约主义”思想,用现代的眼光和设计手法去探索简约设计,是研究和发展中国简约设计需要思考的内容。从密斯时期的“少即是多”,到伊姆斯时期的“少,却更好”,再到今天这个互联网、信息、大数据高速发展的时代,“简约主义”的思想内涵已变得愈加丰富。在深刻把握历史文化的基础上,用未知的眼光和新方法作为指导,挖掘简约主义的新内涵,探索中国简约设计的发展方向,是本文需要研究的重要问题。简约主义思想内涵丰富,并在未来愈加丰富。本文首先对简约主义相关概念进行了系统阐述;其次对东西方“简约主义”思想进行深入解读,试挖掘出适合发展中国“简约主义”的精神文化支撑;再次从产品设计的角度对代表性的简约产品和简约品牌进行分析,以期找出一套适合中国的简约设计方法;最后结合中国设计现状和当代简约产品设计实例分析,对我国简约设计之路提出几点思考和看法。更多还原

【Abstract】 With the accelerating pace of life, aggravating social competition, increasing living pressure, “Minimalism” has attracted more and more people’s attention. It becomes one of mainstream trends of design.It is relatively limited to take it as a design style only. Moreover, it is a thought, culture and aesthetics definition; and it is a way of thinking things and a method of solving problems. "Minimalism" explores the essence of things, stresses the return to origin and nature, and expresses the rich connotation in a simple way. Less is more.So far, many eastern and western countries have had explorations on "Minimalism" from different angles and fields, which have obtained corresponding results. Western countries mainly focus on the design practice, and they have more mature design techniques in different design fields. They have already produced many famous artist and excellent artworks of minimalism design. However, eastern countries have deeper explorations on theories and ideas of Minimalism. Rooted in the profound traditional culture, combined with philosophical thinking, they have studied minimalism from a broader and deeper point of view. Japan is the representative of eastern countries on this exploration. In fact, China is no less than Japan in culture advantage; China has even broader and profounder culture. However, the rich traditional culture of minimalism has not made China walk independently and smoothly on the road of simple design. The minimalism design road of China just began. To learn from the western countries and Japan with open mind, to absorb the outstanding traditional culture, to study Minimalism ideas with the height of philosophy and depth of culture, to explore the minimalism design with modern vision and design techniques, are what we need to think to research and develop Chinese minimalism design.From Mies’ s "less is more",to the Eames’ s "less, but better", the connotation of minimalism idea is more and more abundant in today’s era of the Internet, information, and big data are developing rapid. On the basis of deep understanding history culture,with an unknown vision and a new approach as guide, tap new connotation of minimalism and explore the development direction of chinese minimalist design,are important issues this paper need to study.The connotation of minimalism idea is abundant, and in future it will become more abundant. This paper firstly makes a systematic explanation on related concepts of minimalism; Secondly, it makes in-depth interpretation of the eastern and western Minimalism ideas, trying to find out spiritual and cultural supports suitable for development of China’s Minimalism; Thirdly, it carries on analysis on representative minimalism products and brands from the aspect of product design, expecting to find a suitable method for China’s minimalism design; Finally, upon analysis of the present situation of Chinese design and contemporary minimalism product design, it puts forward some suggestions on the development of China’s minimalism design.更多还原