【作者】 孙颖；

【导师】 蔡云凌；

【作者基本信息】 齐齐哈尔大学 ， 音乐与舞蹈学， 2016， 硕士

【副题名】以《梅花三弄》、《阳关三叠》为例

【摘要】 钢琴曲《梅花三弄》,由作曲家王建中根据古琴曲改编于1973年;《阳关三叠》,由黎英海先生1978年根据同名古琴曲改编而成。两首乐曲都是当代作曲家根据古琴曲改编而成的中国钢琴曲,是现在钢琴演奏与教学的重要作品。两首钢琴曲不光都是根据古琴曲改编而成,而且在曲体结构上有“三弄”、“三叠”的主题相合之处,使得两首作品具备了可相互比较的价值。将古琴曲改编成钢琴作品,无疑是艺术演奏的一种崭新尝试,也使得传统古琴曲绽放出独特的艺术魅力。钢琴曲《梅花三弄》、《阳关三叠》以多声部立体化的思维方式将我国传统的古琴文化淋漓尽致的表现出来。作曲家在改编创作《梅花三弄》、《阳关三叠》这两首作品时,意在将中国传统古琴艺术与现代西方钢琴音乐相结合,展现现代钢琴演奏技巧及中国传统音乐审美倾向。使得钢琴艺术的奔放张扬之美与古琴音乐的含蓄内敛之韵相得益彰、熠熠生辉。文章首先分别分析了《梅花三弄》、《阳关三叠》两首作品的文化意蕴,从和声、织体、主题、速度、琶音等方面解析音乐特征,并在此基础上探讨乐曲的演奏处理。然后从文化意境、改创思维、演奏方式比较两首乐曲,为两首乐曲的演奏和教学提供参考和借鉴。最后,本文还探析了古琴改编钢琴曲的艺术特征。更多还原

【Abstract】 The piano version of "Meihua Sannong" was adapted by the composer Wang Jianzhong from its Guqin masterpiece in 1973; "Yangguansandie" was recomposed by Li Yinghai on the basis of its homonymic Guqin music in 1978. The two musical compositions, both the adaptations of Chinese Guqin music by contemporary composers, count for piano playing and instrument. In addition, they have the congenial subject of "Sannong" and "Sandie" in the music form, which brings about the necessary value for their comparison.Adapting Guqin music to the piano work, is undoubtedly an unprecedented attempt in artistic performance, unrevealing the unique artistic charm of Guqin music as well. The piano versions of "Meihua Sannong" and "Yangguansandie" have fully presented our traditional Guqin culture with their multi-voice and stereoscopic performance mode. In producing, the composers intended to integrate the traditional Guqin art with western piano music to display piano performance techniques as well as the aesthetic tendency of Chinese traditional music. In this way, the piano’s openness and Guqin’s conservativeness are able to bring out the best in each other.更多还原