【作者】 张晓霞；

【导师】 赵继明；

【作者基本信息】 山西大学 ， 美学， 2015， 硕士

【摘要】 唐代是历代中经济、文化等各方面最繁荣的时期之一。国盛民强加上当时上层建筑的大力推崇,兴建庙宇,厚待僧尼,夸大佛教造像木骨泥身的身份价值和人民的心理需要,把造像本身推向了成熟精湛的风头浪尖,成为我国佛教造像艺术的辉煌时期。唐代佛教造像的“唐风”鲜明,相对之前风格转变明显,具有典型的涉世化或世俗化的特征。本文着重探讨分析其造像世俗化特征及其对当代的启示意义。本文认为,与前朝遗留下来的过于肃穆出世的造像风格不同,唐代佛教造像艺术在表现形式上更加亲民化去贴近民间生活,有的造像外形依照唐人为模板进行创作,身材更符合唐代“以胖为美”的当时审美观,更具有亲和力的还有脸部细眉垂目的表情,和动感的身姿,华丽精致的配饰和意象精神的传神与世俗化都是相得益彰的。这具有时代感和民族气息的世俗化这对于今天是有学习、借鉴意义的。本论文主要包括三部分即三章内容。第一部分主要阐述了本文的中心思想唐代佛家造像世俗化的成因。认为,宗教造像世俗化是宗教发展过程中出现的不可避免的现象,而佛教造像之所以能在唐代出现其世俗化现象,是和其时代的文化背景分不开的,更是当时佛教自身观念方法的变化、佛教文化的普及,以及人们的崇拜心里需求的反映体现。第二部分集中讨论唐代佛教造像世俗化的现象特征。认为,佛教造像的世俗化特征主要体现在三个方面。一,在造像神态及造型的艺术形象上,因其趋于世俗审美而呈现出来的生动化特征；二,在造像内容题材以及雕造技法上,因其多取自多样的世俗生活而呈现出来的多样丰富性或曰多元化特征；三,在造像表达其宗教理想时,因其往往直接或间接对应或回应人们现实的生活关注,因而呈现出现实化的特征。第三部分着重阐述,通过对唐代佛教造像世俗化的了解研究,对今天佛教造像艺术应有的启示意义。指出,唐代佛教造像世俗化反映了相应的时代性与民族性,而这种时代性和民族性是今天人们造像时不应该忽视的；唐代佛教造像的世俗化反映了雕塑艺术家们对其宗教情趣及宗教理想观念的特殊表达,今天造像时也不应满足于古式造像的简单复制,而应认真考量造像再现怎样的精神境界及生活的情趣,以及造像欲传达怎样的思想主张和伦理观念。更多还原

【Abstract】 The Tang Dynasty is one of the dynasties in all aspects of the most prosperous economy and culture period, The prosperity of a country and at that time the superstructure advocated to build the Buddhism temple, be kind to the monks, and exaggerated statues identity values. All these put the statues creation process to mature exquisite the crest of wave crest, being a splendid period in the history of religious statue creation.The Buddhism statue in that time features the so-called "Tang Style", which means the distinctive they have and the big change they made in comparing with those before, and the typicalness, is known as secularization. This paper is divided into three parts, particularly discussing its secularization along with the enlightenments we can get in referring the analysis of the secularization that Buddhism statue of Tang shares.This thesis mainly consists of three part as the three chapter.The first part mainly elaborated the origin of this central idea of Tang Dynasty Buddhist statues of secularization.So think,Religious statues development is an inevitable phenomenon in the process of the secular religious.The Buddhist statues could appear the worldly phenomena in the Tang Dynasty. It was inseparable with the era and culture background.And was even more widespread changed, when Buddhism concept method of Buddhist culture.Then reflected the people’s worship heart needs of expression.Part two, on the feature of secularization the statues appear then. Think, secular characteristics of Buddhist sculptures are mainly embodied in three aspects.One,the statue expression and shape of the art image, Vivid characteristic and the presentation because it tends to be secular aesthetic;Two,in statues contents and made technique,because of its many drawn from diverse worldly life,it showed abundant or diversified characteristics.Three,In the statues expression of their religious ideal,because of its often directly or indirectly corresponding or respond to people’s the reality of life concern,so it appeared the reality of characteristics.The third part focuses on,By understanding the study of Tang Dynasty Buddhist secular,on today’s Buddhist art should have implications.Pointed out,Secularization of Buddhism Statues in Tang Dynasty reflected the times and nationality corresponding.And this era and nationality is today people’s statue should not be overlooked.The secularization of Buddhism Statues in Tang Dynasty reflect the special expression of sculpture artists on the religious sentiment and religious ideology.Today the statue should not simply copy the content to the antique statues.So it should be seriously considered the spiritual realm and statues of reproduction of life what taste.And the statues to convey thoughts and what kind of ethical values.更多还原