【作者】 陈洁；

【导师】 罗兴萍；

【作者基本信息】 江南大学 ， 中国语言文学， 2015， 硕士

【副题名】论赵树理的民间立场与主流文化的关系

【摘要】 赵树理是中国现当代文学史上执着坚守民间立场的作家,他自觉的把民间传统作为自己安身立命之地。这种坚守与主流文化构成的复杂关系,带来了他一生的起伏沉浮。他站在民间立场上倾其一生所追求的大众化文艺创作,也达到了上世纪40年代解放区文学的最高成就。本论文通过赵树理的创作和相关的历史资料,试图探讨赵树理民间立场与主流文化的关系——从契合走向疏离的过程,以及这个过程中他对民间立场的坚守!论文共分为三章。第一章主要从赵树理早年所处的生存环境与教育背景出发,来探讨他民间立场的形成。与农民的深厚情感构成他民间立场的情感底色:民间宗教、民间戏剧、民间口语等综合因素的影响,形成了他一生都站在广大农民的角度,用农民的审美态度、价值观念来思考和处理问题的民间立场。第二章则主要解决赵树理的民间立场与上世纪40年代的主流文化是如何达成默契,在什么地方达成默契的问题。赵树理的大众化文艺思想与毛泽东文艺思想的无意识共鸣,当时主流评论者们对赵树理的有意无意地改写,使得赵树理与主流意识形态的契合迅速形成。第三章则考察赵树理在上世纪50、60年代对民间立场的执着坚守,和由此带来的被疏离的命运。与上世纪40年代相比,主流文化对大众化文艺创作的评价标准发生了变化,赵树理始终站在自己的民间立场上,固执的坚守自己对农民和农村的看法。从编《说说唱唱》时的动辄得咎,到“人民公社事件”的正面交锋,赵树理以个人的力量与代表国家力量的主流意识形态较量,以农民式的固执,表达他对民间立场的执着坚守。更多还原

【Abstract】 Zhao Shuli is the history of contemporary literature Chinese persistence folk writers, he was conscious of the folk tradition as their pursuit of. This complex relationship between stand structure and the mainstream culture, brought his life’s ups and downs. He stood the popular literature and art creation in the folk position lifetime pursuit, also reached the highest achievements of Jiefang District literature in 40’s of last century.In this paper, through the creation of Zhao Shuli and the relevant historical data, attempts to explore the process of Alienation-- to the relation between Zhao Shuli and the folk position of the mainstream culture, and the process of his folk stand! The thesis is divided into three chapters. Living environment and education background, the first chapter from the Zhao Shuli in the early years of the start, to explore the formation of his folk stand. He folk emotional color and deep feelings of farmers; influence of folk religion, folk drama, folk oral and other comprehensive factors, the formation of his life in farmers’ perspective, to think in the aesthetic attitude, values and deal with the problem of folk position.The second chapter mainly solves the problem of the mainstream culture of Zhao Shuli’s folk position and the 40’s of the last century is how to reach a tacit understanding, reached a consensus on what the question. Unconscious sympathy thoughts of literature and art popularization of Mao Zedong and Zhao Shuli s thought in literature and art, the mainstream critics of Zhao Shuli naturally or half unconsciously rewriting, which fit with the mainstream ideology of the rapid formation of Zhao Shuli.The third chapter examines Zhao Shuli in the last century 60’s to the folk position 50, persistence, and the resulting alienated fate. Compared with the last century 40’s, changes of mainstream culture in literary and artistic creation of the mass evaluation standard, Zhao Shuli always stands in his folk stand, stick to their own views of the farmers and the rural. From the series of "talk" to be blamed for whatever one does sing the "people’s communes" incident, confrontation, Zhao Shuli to the mainstream ideology of power and the personal representative of the national strength contest, the peasant’s stubborn, an expression of his folk stand persistence!更多还原