晚唐五代诗格探究

【作者】 王晶；

【导师】 李定广；

【作者基本信息】 上海师范大学 ， 中国古代文学， 2014， 硕士

【摘要】 晚虛五代诗格这个研究课题包栝两重限定：诗格这特殊诗论形式和晚唐五代这一特殊时期。两个特殊，前者在于它的性质与形式跟传统文学批评著述的差异，后者在丁晚唐五代的末卅4乱世对这-诗论形义的大规模酿造。这篇论文也正是在这两层意义上进行铺展耕耘的。囚此这不是完全基于文本的纯粹理论性探〖寸，又因为文本的搜集整lff与介绍已经通过前辈学者的努力达成完整，从原始资料里进行爬梳的工作也不屈于本文的着力范围。这甩试图做到的足以现成著作文本为埜础对围绕晚唐五代诗格问题进行趋向全面的解答，由形式到内容、由格式向性质、由前因到影响、由创作向理论，达到对晚唐五代诗格的通观。以此确立的四草内容，便含有历时性的前H后果建构，亦包括共时性的作者Q背景等的探索，章节排序也是考査了这两层的包含与递进关系。绪论部分从晚唐五代诗格研究的理论背景、研究现状和本文写作的目的展开论述。所谓理论货景，是把晚唐五代诗格放置在中国古代文论中说明它的产牛背景和作为文论形式之一种的特殊性，以此|能引入正文对晚唐五代诗格的四章r篇幅的探讨。第”一章：唐代“诗格的性质和著述情况。首先明确诗格作为诤之法式、标准的叙述，它以诗艺押论称之更为准确，讲论诗歌创作的艺术技法是它区别于其‘他诗论的最显著特征。也因此决定了诗格承载的指导性、教学性的文学功用，这早引入了同吋期的蒙求4类书进行比较，得出它们之阆的相似之处或许存在相互借鉴的对能，共同为教育和文学创作服务，这是之前研究所忽略的问题。为了晚唐五代诗格的屮心论述，需要先明确初盛屮唐诗格的创作情况，以显不发展轨迹和借鉴痕迹。而对于晚进五代時格著作因为传世i己载存在错漏和相左之处，亦冇作品冇H无篇，有必要进行梳理辨疋，确定研究的篇目lfl作者。而在这个考略当中对于历来形成的徐寅抄袭齐己诗格的汄定进行驳斥和论E明徐寅绝无抄袭齐己的嫌疑，相似的内容屌后人滥入。第二章：晚唐五代诗格的兴盛原因探析。诗格著作大量地诞生r晚唐ii代时期受乱丨it科平、佛教-、文学等四个方面因素的影响，主要体现为：乩世背景下文人命运悲剧导致的心态转变，政治抱负的无法施展使得他们转向诗歌创作和诗艺锤炼的孤吟独唱；科举因素在于诗赋取士制度的实施，应试诗为讲究声病格律的五言律，这促使了专门讨论诗法的著作的诞生；佛教的影响首先是晚唐五代佛教的鼎盛和诗僧隐士的大量存在，再是修禅与学诗的相似性以及诗格中佛教术语的大量使用；文学因素则更为显著,律诗在经历盛中唐的发展已成为成熟的诗体，有了-套完备的形式要求，这使得诗格创作既有必要也有可能，另外就是晚唐苦吟之风的流行，专注于字斟句酌的创作风气。第三章：晚唐五代诗格的理论建构和理论内涵。晚唐ii代诗格的十三部著作包含了哪些诗学理论是本文重点探索的问题。这一萆以古代文论传统的言、象、意二个文本层面为框架进行论述，即语言组织、形象系统和意蕴内涵。也对应了诗格著作本身所提到的声律、物象、意格的“三本”（《金针诗格》)。大框架之下有对字法、句法、篇法的探究，有对物象比附的探索，还有对以传统六义六诗论要求诗歌必须随入讽兴的现实内涵的探讨。晚唐五代诗格涵盖的容十分丰富，也有其在一个特定时代里的时代印I己，体现出其系统性、完备性和重大价值。最后一节论述晚唐五代诗格对于初盛中唐诗格的继承和发展，与后一章共同展现唐代诗格的发展脉络’并显示晚唐fl代诗格承前启后的地位?第四章：晚唐fl代诗格的影响。影响论也是针对晚唐五代的理论内涵，分对于诗歌创作的影响和对于诗歌理论的影响，主要涉及朱元两朝。创作影响在现有资料显示之下不甚显著和确定，而诗论确实在宋元涉及诗法的论著中有着大量命题的承袭，包括律诗四联和血脉说、炼字锻句、言意关系、诗禅等。更有直接根据晚唐五代诗格写作的宋人诗法和元代以追随鹿朝为旨归的大量诗法著作的问世。此外，五代时期的R本学者所著诗法著作也堪为瞩目。更多还原

【Abstract】 Late Tang poetry grid defining the research topics include twofold: poetic style ofthis particular poetic form and Late Tang this special period.Two special, the formerbecause of its differences with the nature and form of the traditional literary cirticismwritings, which lies in the Late Tang Dynasty and the chaos of the last days of thislarge-scale brewing poetic form.This paper is also in this work of spreading kyerssignificance. So this is not entirely based on purely theoretical discussion of text, andbecause Collecting and introductory text has been reached through the efforts ofsenior scholars complete, conducted through her work from the raw data in focus doesnot belong to the scope of this article.Trying to do here is based on existing text-based works on issues surrounding gridLate Tang Dynasty poems tend to be comprehensive answers from form to content，tothe nature of the format, the antecedent to the impact from the creation to the theory,reach for late Tang Dynasty poetry through the grid view. Four chapters in order toestablish, they contain the causes and consequences of constructing diachronic,synchronic also includes exploration of nature and background of the author, thischapter examines the sort also contains two progressive relationship.The introduction part from the theory of the ifve dynasties late tang dynasty poetry,research background, research status and the purpose of this writing. So-calledtheoretical background, it is placed to the ifve dynasties late tang dynasty poetic stylein ancient Chinese literary theories to explain its background and as a literary formone kind of particularity, in order to introduce the text of the ifve dynasties late tangdynasty poetry of four chapters.Chapter one: the nature of the"poetic" in the tang dynasty and writings. First clearpoetic style as the standard for the French of poems，narrative, it said in writing theoryis more accurate, about the art of poetry writing skill is the most significant feature ofits difference with other poetics. Thus determines the poetic style of literary functionsof guidance, teaching, introduced at the same time here for comparing with books, itis concluded that the similarities between them may exist the possibility of learn fromeach other, together for education and literary creation services, that is ignored beforeinstitute problem. To the ifve dynasties late tang dynasty poetry’s center, need to clearfirst sheng in the early tang poetr’ys creation, to display the trajectory and referencetrace. For the five dynasties late tang dynasty poetic writings because most recordsexist error, and another place, also have work overstepping，there is a need for carding justification, to determine the research title and author. And in this examination fortraditionally formed Xu Yin copying QiJi reofted and argument of poetic style, proveno suspected of plagiarism QiJi Xu Yin, belong to the posterity has erected intosimilar content.Chapter two: the five dynasties late tang dynasty poetry of prosperous reasonanalysis. Poetic works by gone with a large number of birth and the five dynasties latetang dynasty period, imperial examinations，Buddhism, literature and so on fouraspects factors, mainly embodied in troubled times under the background of destinytragedy caused by the literati mentality change, political ambition not use that theyturned to wirting poems and odes to temper solitary sing solo. Take theimplementation of the system of imperial examinations is former, takes an exam thepoem as exquisite sound disease rules of law，which prompted the creation of devotedto poetry method works. The influence of Buddhism first is the height of the fivedynasties late tang dynasty huddhist monk and hermit of existence, arid is studyingzen and study the similairty of poetry and poetic style in the huddhist terms of use.Literature factors are more significant, feeling after sheng tang’s development hasbccome mature in verse, form a complete set of requirements, which makes the poeticcreation both necessary and possible, another is the popularity of bitter song of thewind of late tang dynasty, focus on the creation of the utmost elhos.Chapter three; the ifve dynasties late tang dynasty poetic theory construction andtheoretical connotcition. The ifve dynasties late tang dynasty poetry of thirteen bookswhich contains the poetic theory is a question of this paper to explore. This chapter inancient literary tradition, like, three as a framework for discourse text leveL namely,language, image system connotation and meaning. Also corresponds to the publicworks mentioned the signiifcances, the object, the meaning of "three fundamental".("Jin Zhen Shige”）under the framework of words, syntax, method of exploration, haveexplored the object analogy, and demands for six poetics with traditional sixrighteousness poetry must with the tarred with the reality of the connotation of thediscussion. The ifve dynasties late tang dynasty poetry covers the content is very rich,also has its time stamp in a specific era, reflects its systematic, cumplelcness andsignificant value.The ifnal section discusses the five dynasties late tang dynasty poeticstyle in sheng in the early tang dynasty’s inheritance and development, together withthe following chapter show the tang poetry’s development, and displays the status ofthe five dynasties late tang dynasty poetry, continuity.Chapter four: the influcncc of the five dynasties late tang dynasty poetic style. Impact theory is the theoretical connotation, according to the ifve dynasties late tangdynasty points for the influence of the poetry creation and poetry theory, the influenceof main involved in song and yuan dynasties. Creation under the existing data showsless signiifcant effect and determine, but really involved in the song poetry poeticsmethod works with a large number of propositions in heritage, including four patternsand veins said, the solution of forging, relationship, zen poetry, etc. More directly thepoets in the poem of the ifve dynasties late tang dynasty poetry, writing method andthe yuan dynasty to follow for the purpose of the tang dynasty poetry appeared on theworks of the law.更多还原