节点文献
后现代语境下的戏仿电影研究
The Parody Movie Research in the Postmodern Context
【作者】 李洁；
【导师】 陈卫平；
【作者基本信息】 华东师范大学 ， 传播学， 2012， 硕士
【摘要】 本文主要聚焦了后现代语境中的戏仿艺术修辞手法在具体电影作品中的表达方式和艺术手法、戏剧效果和艺术价值、观众心理认同机制和文本吸引力,它对于后现代相关理论的映射和构建,以及它在后现代语境中的文化功过和潜存忧患。首先,笔者基于前人对戏仿艺术手法在文学和电影领域中运用的研究成果,进一步提出“戏仿电影”这一全新电影类别概念作为本文的主要研究对象。本文关注戏仿电影这种具有独特结构方式和艺术范式的艺术形式的观众心理认同机制层面的运作方式,探究以互文性为主导的戏仿电影文本的内在吸引力。戏仿电影通过拼贴手法构架起自身独特的碎片化视像呈现,对传统好莱坞式商业电影的制作标准和叙事模式进行彻底解构,亦对“逻各斯”内在机制进行全方位解构,从而形成了对后现代理论中的解构主义进行解释、呼应和延伸的具体艺术文本存在形式。本文最后指出,戏仿电影通过对意义的内爆效应的阐释,引出后现代文化语境动态中的总体性内爆式呈现形式。同时,阐明以戏仿电影为代表的俗文化的兴盛及其背后所折射出的普通大众世俗性的文化意识形态诉求,并且更深入地讨论戏仿电影这类俗文化所带来的文化整体性上的降格趋势,从而提出“集锦文化”这一文化加速降格和文化功利主义的产物,警示戏仿电影及其后现代文化症候的忧患。
【Abstract】 This paper mainly emphasizes the parody artistic rhetoric, in the postmodern context, used in certain movies. The artistic expression, dramatic effects, the audience’s psychological acknowledge, and the texts’attraction are considered here. This paper discusses that the parody artistic rhetoric in films reflects and constructs the certain postmodern theory, at the same time, its cultural merits and potential danger in postmodern context. Firstly, the paper presents the whole new film study category "parody movie". Secondly, we studies the audience’s psychological acknowledge mechanism of parody movie with the unique structure and artistic formation, and explore the parody movie’s internal text attraction which dominant by the intertextuality. The parody movie, constructing its unique fragment images, not only deconstructs the standards and narrative patterns in the traditional Hollywood movies, but also deconstructs the Logos thoroughly, which can be considered as the certain artistic form which constitute the explanation, conversation and extend to the Deconstructionism. Finally, this paper explains the implosion effect in parody movie and point out our whole cultural atmosphere in this effect. At the meantime, the parody movie is the representation of mass or low culture that reflected the ordinary peoples’cultural ideological appeals and lowers our wholeness cultural taste. We point outs "highlights cultural " which is the product of the cultural degeneration and Utilitarian, and predict the potential dangers of the parody movie and its postmodern cultural symptom.