【作者】 张野；

【导师】 林曰惠；

【作者基本信息】 辽宁师范大学 ， 美术学， 2012， 硕士

【摘要】 皮埃尔·博纳尔对家居生活和田园风光的描绘，愉悦着人们的心灵，体验着瞬间模糊的感受给人们带来的视觉快感。通过大师敏锐的洞察力捕捉到的生活本身最富于抒发内心情感的画面，从而让人们记住了这转瞬即逝的美好时光。博纳尔对绘画情感的描绘是隐喻的，在我看来，其实在他的内心深处，还有另外一个层面的家园，那就是他的心灵家园。在尊重客观事实的基础上，他却能发现隐藏在自然之外的美，并乐此不疲的陶醉在自我情感的世界里。由于受象征主义诗人马拉美的影响，先前的作品弥漫着象征主义的思想精神，画中所描绘的物体，好像从来都不固定它们的具体形状，这和后来出现的抽象表现主义画派所倡导的创作理念是有一定关联的。抽象表现主义不以描绘具体物象为目标，而是通过抽象的点线面和色彩构图来实现自我的表述。而这种强调无意识、自发性、随机创作的表现手法让艺术家们的创作激情得以释放。而博纳尔的创作激情，更多的是来自于他下意识主动的去还原对事物出现时的随机性的回忆。在极其熟悉的物体中谋求到一种极具冲击力的生命力。艺术创作有时候就像是一对矛盾的结合体，既以经典传世为己任，同时也是以画家个人自身的审美体验为第一性的灵感来源。博纳尔用一种自己所熟悉的风格中和这一矛盾。作为19世纪法国前卫艺术的一个青年画家，作为纳比派的成员，今天的人们还是被这位艺术大师的美好图画所深深的吸引着，他通过观察身边所熟悉的人和事物，用自己独特的视觉经验捕捉自然事物表面的微妙变化，从而发现一种积极的表达方式，创造出属于自己内心的感动与真实。那么，画家又是如何选择绘画主题使画面保持鲜活的灵动感，这些作品又是如何使人们得到感官上的满足与刺激？本文旨在通过对博纳尔的艺术作品的审美趣味的解读，对画家私密性自传体绘画的情感分析，和大师一起在美妙的眩晕状态下进行视觉艺术的净化。更多还原

【Abstract】 Pierre Bonnard on the portrayal of home life and rural scenery, pleasant people’shearts, to experience instant fuzzy feeling to bring the visual pleasure. Life master theinsight to capture the most wealth to express the inner feelings of the screen, so thatpeople remember the good old days of fleeting.Bonnard’s painting of emotion to describe the metaphor is, in my opinion, actuallyin his heart, there is another level of their homes, it’s his mind their homes. In therespect objective based on the facts, but he can find hidden in nature outside of thebeauty, and the uneasy intoxicated in self feelings world. By symbolism in effect thepoet, the previously’s works, there is a symbol of the socialist ideas, picture depicted inthe object, like never fixed their concrete shape, this and then of the abstractexpressionist painting appears by the idea of writing is a certain correlation. Abstractexpressionist not to describe concrete object as the goal, but through the abstract point,line and plane and color composition to realize self expression. And this emphasis onthe unconscious, spontaneity, random creation technique of expression of the let artistswriting passion are released. But boehner’s creative enthusiasm, more is from hissubconscious active to restore the randomness of the things appear to when thememories. In the extremely familiar object to an extremely for the vitality of the impact.Artistic creation can sometimes seem like a contradiction combination of bothclassic handed down its mission, but also with painter personal aesthetic experience asthe primary source of inspiration. Bonnard with the kind of their own familiar style, andthis contradiction. As a young painter of the19th century French avant-garde art, as amember of the Nabi send people today still a better picture of the maestro’s fascinated,he observed around familiar people and things, with their own the unique visualexperience to capture the subtle changes of the natural surface of things, which foundexpression in a positive way, to create their own inner feelings and real. Then, thepainter is how to choose the painting themes of the screen to maintain a fresh spiritualdynamic, these works is how to make people get to meet and stimulate the senses? Thispaper aims to interpret Bonnard’s works of art of aesthetic taste, the emotions of theartist’s intimate autobiographical painting, and the master with the purification of thevisual arts in the wonderful state of vertigo.更多还原