【作者】 戴勇红；

【导师】 朱晓菊；

【作者基本信息】 湖南工业大学 ， 设计艺术学， 2012， 硕士

【摘要】 后现代文化语境下，水墨艺术被分解为丰富、独特的元素，灵活多变的融合到动画艺术创作中，为动画艺术带来更为丰富的视觉艺术语言。水墨画作为中华民族文化的精髓，曾经在20世纪60年代至80年代以独特的视觉语言诠释着中国民族动画语言，在世界范围内都有积极影响。到了21世纪数字时代的今天，水墨仿真技术、3D技术的融入，使水墨动画的的制作周期大为缩短，水墨动画的数量在快速增长。随着中国经济快速发展，中国文化传播更为频繁，水墨风格的动画作品以强大发展之势开始复燃。虽然它不够成熟及商业化，但是，它的独特艺术魅力依然折服了不少异族人，更让本民族的同胞们，无论作为创作者还是受众，深深地体会到民族文化认同感。本文主要从水墨动画中水墨的意象（文化内涵）、形象（水墨形式语言）元素的不同运用方法的角度来进行研究。通过对水墨艺术本体、水墨艺术与中国传统文化之间的联系的理解基础上，阐述水墨元素运用在中国动画中有两个缘由：中国动画发展趋势所致；创作者与受众的心理需求。有三个优势：水墨元素构成中国动画的意境美；水墨元素水墨体现中国动画的独特动画语言；对中国传统文化有保护性作用。深入分析了水墨元素在中国动画中不同形式、不同表现领域的具体运用方法及艺术特征。提出水墨元素独特的艺术形态对国外动画创作者、动画作品风格的触动及影响，以及对中国文化的传播起到了积极作用。阐明了中国动画要发展，最终要区别于美国动画、日本动画的动画语言才能得以长远发展的观点。更多还原

【Abstract】 In the context of Postmodern Culture, ink art, broken down into rich unique elements, is flexibly integrated into the animation art, which creates a richer language in the Visual Art.From the1960s to the1980s, ink painting, as the essence of Chinese Culture, showed Chinese folk animation language in its unique visual way and had a positive impact worldwide. In the21st century, the rise of simulation technology and3D technology significantly shortened the production cycle of ink painting animation and rapidly increased the amount of ink painting animation. With the rapid development of Chinese economy, Chinese cultural transmission is more frequent, leading to the development of ink painting animation. Although it is not mature enough and has not yet been commercialized, its unique charm has won the praise of many foreigners. What’s more, it enables Chinese people, both the creators and the audience, to deeply appreciate the sense of cultural identity.The present thesis mainly analyzes ink painting from the perspective of the different application methods of its image (cultural connotation) and form (the formal language). Based on a thorough understanding of the connection between ink painting art ontology, ink painting art and Chinese traditional culture, the thesis explains the two reasons for the application of ink painting in Chinese animation:the needs of the development of Chinese animation and the psychological needs of the creators and the audience. It has three advantages:firstly, ink painting elements form the artistic conception of Chinese animation; secondly, ink element reflects the unique animation language of Chinese animation; thirdly, it helps to protect Chinese traditional culture. What’s more, the thesis analyzes the application of ink painting in different forms and genes of Chinese animation and its artistic feature. The thesis also points out the influence of its unique artistic form on foreign animation and its role in spreading Chinese culture. The thesis states that only by differentiating its animation language from that of the USA and Japan can Chinese animation achieve its full development.更多还原