梦与戏—中国经典戏曲文本中梦意象的美学探究

【作者】 李蕊；

【导师】 郭平；

【作者基本信息】 南京师范大学 ， 文艺学， 2012， 硕士

【摘要】 梦文学是我国古代文学宝库的重要组成部分,作为中国意象史上具有独特审美意蕴的类别,梦意象在梦文学文本中生成,使梦文学因为梦意象的存在而拥有独特的魅力。目前我国学术界对于梦文学的研究并不匮乏,但多数集中于几个热门领域,而具体到梦意象的美学价值研究仍然有待挖掘。在古代戏曲中,带有梦意象的剧目蔚为壮观,约占全部元、明、清戏曲剧目一半,梦在戏曲的情节构制、心理描写、人物命运结局的暗示,乃至虚实相生的表现方法等方面,都起到了重要作用,所以梦意象可以说是伴随着戏曲的发展而日趋成熟的。本文意在对当前研究现状给予一定介绍,并根据梦的文本化和戏曲发展史的脉络整理归纳出一个“梦的系统”,将作品与社会、文化背景结合起来考察,运用社会学、文化学、美学、叙事学等学科的观点和方法,对中国古代戏曲中梦意象的特点和内涵加以探究,挖掘戏中之梦的美学价值。文章分为三大部分,第一部分着重从美学角度对梦意象的深层意蕴进行探索挖掘。首先,根据海德格尔的观点,“在场”的东西并不比“不在场”的东西更真、更美,以此来论证梦意象这种“在场”可以用来反映“不在场”的蕴意。其次讨论庄道之风与“人生如梦”的启示。最后阐述了梦意象的存在性、精神性和审美性三个具有代表意义的美学属性。第二部分着重论述梦意象与中国戏曲的交融,梦意象进入戏曲创作的原因主要有历史和文化的积淀、作家的主观精神介入和当时社会状况的影响。第三部分列举了经典文本中梦意象的几大类别,包括鬼魂复仇梦、爱情梦、公案梦和脱度梦,然后在此基础上论述梦意象在文本中的结构功能,手要从叙述视角、叙事节奏和虚实相生几个角度进行论述。更多还原

【Abstract】 As the history of Chinese imagery with a unique aesthetic implication of categories,an important part of the dream of literature in China’s treasure trove of ancient literature, generated dream imagery in the dream of literary texts to make the dream of literature because of the existence of the dream image has a unique charm. At present our country academic circles is not deficient regarding the dream literature research, but concentrates most in several popular domains, but made concrete to the dream image esthetics value research still waits for the excavation. In classical drama, plays with dream imagery present a splendid sight,accounting for about half of the Ming and Qing dynasty drama repertoire. Dream in the drama of the plot structure system, psychological description, the hint of the fate of the characters ending, and even vacuousness raw performance methods have played an important role in dream imagery is accompanied by the development of opera and matures.This article is intended in the current research status to give a certain description, and according to the context of the dream text and drama history of the development and induce a "dream system" will work with the social and cultural background combined study, the use of sociology, cultural studies, viewpoints and methods of aesthetic, narrative and other disciplines, the features and content of the dream image of the ancient Chinese opera to explore, dig the aesthetic value of the dream in the play.The article is divided into three parts, the first part focuses on mining from an aesthetic point of view to explore the Deep Meaning of the dream image. First of all, according to Heidegger, the "presence," something no better than "not present" something more real and more beautiful,dream images of this "presence" could reflect the stated theories of dream imagery that is "not present". Second discussion style of Zhuang Zi’s Taoism and "life is like a dream" of enlightenment. The first part described the existence of dream imagery, spiritual and aesthetic aesthetic properties of three representative significance.The second part elaborated the dream image and Chinese drama blending emphatically, dream imagery into the Creation of the main causes of the accumulation of history and culture, the spirit of the writer’s subjective intervention and social conditions.The third part lists the Dream Images in the classic text of several major categories, including the ghost revenge dream, dream of love, detective, dream and off the degree dream, and then discussed on the basis of the structure and function of the dream imagery in the text, from the narrative perspective, The narrative rhythm and the virtual and real several perspectives were discussed.更多还原