【作者】 宋磊；

【导师】 冯建国；

【作者基本信息】 山东大学 ， 中国古代文学， 2012， 硕士

【摘要】 中国拥有世界上最为辉煌的艺术成就,诗歌、书法、绘画、音乐、舞蹈等众多艺术门类在社会发展进程中熠熠生辉,同时又彼此相互影响、相互促进,使中国的文化艺术呈现出交叉性和复杂性。盛唐时期,各种艺术都在各自领域达到鼎盛,其中以诗歌与书法二者的关系最为密切。诗歌与书法这两种艺术形式在发展过程中的相互结缘有着深远的历史传统,只不过在盛唐时期二者的关系更加明显和突出,最具代表性和影响力。本文首先简单梳理了盛唐之前诗歌与书法结缘,主要把视角放在盛唐这一文学史上的伟大时期,在盛唐气象下探究诗歌与书法的共同繁荣,并简要分析了二者共同繁荣的原因。在共同繁荣的基础上,本文着重展开对盛唐诗歌与书法之间的关系的研究。本文认为,盛唐诗歌与书法之间存在互相融合、相映成趣的关系,主要表现在：第一,这两种艺术形式在本质上具有相似甚至相同的因素存在,这就是作为创作主体的诗人和书法家在进行创作时所表现出的共同的理想追求和情感风格。盛唐的诗人和书法家们积极表现社会人生,努力实现个人价值,追求艺术的个性和自由。另外,诗人和书法家在各自创作过程中,形成了浪漫豪放和厚重庄严这两种不同的情感风格。第二,盛唐时期的文人大多同时涉足多个艺术领域,表现在诗人和书法家身上,就是诗人兼善书法,书法家兼善作诗,诗人们与当时著名的书法家交游往来,题诗酬赠。另外,盛唐时期论书诗得到发展繁荣,盛唐诗人喜爱书法,欣赏评论书法,直接参加书法创作,把诗人的才情气质注入到书法作品中,沟通了诗歌、书法的艺术境界,丰富了书法艺术的内涵,提高了书法的艺术表现力,促进了诗歌与书法更加紧密地结合与发展。诗中有笔,笔中有诗,成为盛唐诗坛和书坛一道亮丽的风景线。盛唐诗歌与书法的关系对中晚唐诗歌与书法关系有一定的影响,主要表现在诗人善书现象更加普遍和论书诗更加大量的出现。更多还原

【Abstract】 There are numerous bright achievements in Chinese art. Many sorts of arts such as Poem, calligraphy, painting, music and dance, were prospering in the process of society developing. Meanwhile, they promoted and interacted one another which let the Chinese art showed overlapping and complexity. In the high Tang period, all kinds of arts come to prosperity in their own field, in which the relationship between poem and calligraphy was closest. During their development, poem and calligraphy were linked to each other, and there was a tradition between them. Just in high Tang period, relationship between the two was more obvious and outstanding, most representative and had far-reaching influence.Firstly this paper describes the relationship between poem and calligraphy before the high Tang period. Focusing on the great age of the high Tang period, the paper analyzes the phenomenon that poem and calligraphy reaching a common prosperity under the atmosphere of the high Tang period. This paper will give some reasons to the common prosperity. Based on the common prosperity, this paper will think about the relationship between poem and calligraphy in the high Tang period.This paper thinks there was a special relationship between poem and calligraphy that both of them combined with each other and promoted each other. This phenomenon showed that:Firstly, there was a similar even common factor in essence between the two forms of art. This factor was the common ideal pursuit and emotion style with which the poets and the calligraphers created the art works. Both of them tried to describe the society and life, realized the value of life, performed personality and freedom of art. In addition, poets and calligraphers have generated two emotion styles: romantic and uninhibited, messiness and solemn. Secondly, the artists in the high Tang period were good at several fields of art. Taking the poets and the calligraphers for example, some pests were good at calligraphy; some calligraphers also could write poems. The poets kept touch with the calligraphers, and wrote poems for the calligraphers’ calligraphy. In addition, the poems about calligraphy got a development. The poets in the high Tang period were interested in calligraphy, appreciated calligraphy, and took part in writing them with their literary talent and temperament. They made the artistic realm of poem and calligraphy together, promoted the art value and art expression of calligraphy, and realized the common development of poem and calligraphy. The phenomenon that there was poem in calligraphy and vice versa, forming a special beautiful scenery line in the high Tang period. The relationship between poem and calligraphy in the high Tang period brought an effect to the middle and late Tang periods, in which it was more popular that the poets were good at calligraphy, meanwhile, more and more poems about calligraphy were written.更多还原