世纪末的台北想象

【作者】 马建峰；

【导师】 樊洛平；

【作者基本信息】 郑州大学 ， 中国现当代文学， 2008， 硕士

【副题名】1980-1990年代台湾都市小说研究

【摘要】 本论文的研究对象是20世纪80—90年代的台湾都市小说。题目“世纪末的台北想象”,显示了本研究的时间和空间的范围,而“想象”则强调文本写作中的主观因素和虚构性。就本研究而言,论者将从“文学中的城市”的角度来进行研究,注重城市与文学之间的互动关系,打破传统都市文学研究中的所注重的经验性和再现性。强调想象、记忆、叙述、社会思潮在作家书写台北的过程中所起的作用。“世纪末的台北想象”,以上世纪末台湾都市小说创作中的后现代性想象为切入点,以此呈现文本中的台北的后现代文化特征。这种“后现代性”的想象书写,以夸大台北后现代性的修辞策略,构筑“文学中的台北”的强大的后现代性身份。作为对上世纪末台湾都市小说的整体性研究,本论文并不仅仅关注“后现代性”一元中心想象。对于“后现代性”想象之外的文化呈现,本文也纳入研究范围,从而呈现出“世纪末文学台北”中的多元文化形态。各章内容如下:绪言部分梳理关于台湾都市文学研究的成果,并对题目做出解释,并指明本研究的特点。第一章综论世纪末台北想象的特点,追述城市在当代台湾文学发展中所呈现的不同文化意义,以及世纪末台湾理论界和文学界对“后现代性”的引入和怀旧派作家写作的文化意义。第二章论述台湾都市小说的叙事策略,指出台湾都市小说的叙事策略和后现代都市文化之间的共生关系。第三章论述台湾都市小说中后现代都市空间的营造。第四章论述人物想象中的后现代特征,具体体现在:“新兴中产阶级”和“新人类”成为主角,人物书写中身体和欲望的展现,都市女性作家写作中的身体观念的转变。第五章论述怀旧作家的台北记忆和想象,以此分析她们文本中所呈现的台北文化的“乡土性和殖民性”以及“老灵魂”式人物形象刻画的文化意义。结语,是对整篇文章中“台北想象”背后深层的心理原因和思维方式的揭示。结语认为,世纪末的台北“现代性”和“后现代性”的文化交错、叠加,生活于这样一个时代的台北作家也难以摆脱文化的局限,因此“后现代性”想象作家的写作背后是难以摆脱的“现代性”思维方式的支配,而抵制“后现代性”想象的怀旧派作家,则身受“后现代”思维的影响。他们的创作共同构成了世纪末“文学中的台北”的多元文化景观,呈现了一个多元、复杂的台北形象。更多还原

【Abstract】 This thesis studies Taiwan urban novels in the 80-90s of the 20th century. The title "Taipei imagination at the End of Last Century" shows the time and spatial scopes of the study, and in particular "imagination" highlights the subjective and fictional factors in the writing. Taking a perspective of "cities in literary", the study pays special attention to the interaction between cities and literary, breaks the empiricism and restoration emphasized in the traditional urban literary studies. It emphasizes the role in the writing of Taipei played by imagination, memory, narration and social trends of thoughts. Getting started with the post-modern imagination in Taiwan urban novels at the end of last century, "Taipei imagination at the End of Last Century" shows the post-modernity of Taipei in the novels by this. This imagination portray of "post-modernity", forms a strong post-modern identity of "Taipei in literary" by a rhetoric strategy of exaggeration in such nature of Taipei.Contents of each chapter: Preface shows achievements of past studies on Taiwan urban literary, elaborates the title, and points out characters of the study. Chapter 1 comprehensively discusses the characters of Taipei imagination at the end of last century, follows different cultural meanings of cities shown in the development of contemporary Taiwan literary, and the cultural meanings of introduction of "post-modernity" by Taiwan theory circle and literary circle at the end of last century, and the literal works of nostalgic writers. Chapter 2 discusses the plot strategy of Taiwan urban novels, and points out its co-existing relationship with post-modern urban cultures. Chapter 3 discusses the construction of post-modern urban spaces in Taiwan urban novels, represented by the personalization of private spaces, consumption attribute of public spaces, and the construction of urban imagination and virtual spaces in science fictions. Chapter 3 discusses the construction of post-modern urban spaces in Taiwan urban novels, represented by the personalization of private spaces, consumption attribute of public spaces, and the construction of urban imagination and virtual spaces in science fictions. Chapter 4 discusses post-modern characters of the imaginations of figures, presented by "emerging middle class" and "new generation" becoming leading role, demonstration of carnal desire of figures, and change of carnal concepts in the writing of female urban writers. Chapter 5 discusses nostalgic writers’ memory and fantasy of Taipei, and resting on that, analyzes the cultural meanings of "locality and colonization" of Taipei culture and the "old soul" way of figure portrayal shown in their works. Conclusion is the reveal of the fundamental psychological causes and thinking modes underlying the "Taipei imagination" in the whole thesis. It is shown in the Conclusion that, while the cultures of "modernity" and "post-modernity" interlaced and overlapped at the end of last century, the Taipei writers found it hard to be exempt from the influence of time they were living in. Therefore, what was dominating in the back of the writing of "post-modernity" fantasy writers was the lingering "modernity" thinking modes, while the nostalgic writers, in resistance to the "post-modernity" fantasy, were also deeply influenced by the "post-modernity" thinking. Their literal works jointly gave birth to a multicultural landscape of "Taipei in literary" at the end of last century, showing a multi-element and complex Taipei.更多还原