节点文献
线在中国工笔人物画中的运用
【作者】 李霞；
【导师】 吴丹；
【作者基本信息】 四川师范大学 ， 美术学， 2011， 硕士
【摘要】 线是工笔人物画的基本造型手段,中国工笔人物画与线的不断发展与探索,让线拥有了自身的独立性,形成了既有外在形式美又有生命的节奏、情感和美学气质的审美特性。线的创造与演进在很大程度上强化了工笔人物画的时代特性,促进了工笔人物画的发展。而线这一工笔人物画的重要内容,经过历代画家的创造与传承,发展了多种多样的表现形式与风格。一定形式、风格的形成有赖于创作意识的发展、变化与技法的更新、创造,工笔人物画中各时期线型特点的形成是时代变迁的必然选择,也是线与工笔人物画中其他表现技法的协调共生。
【Abstract】 Line is the basic means of modeling Meticulous Portrait Painting. The continuous development and exploration of Chinese Brush Stroke Painting and the line make the line has its own independence, and take shape aesthetic characteristics which has the external beauty of form and the rhythm and emotional of life and aesthetic temperament. The creation and evolution of line largely strengthen the era of enhanced features of meticulous portrait, and promote the development of a meticulous portrait. The line as the important content of this meticulous portraits developed a variety of showing forms and styles through the creation and transmission by artists in ages. Form some shape and style depends on the development and change of consciousness and update and creativity of techniques. The characteristics of Meticulous Portraits Painting is the inevitable choice of changing times, but also the line coordinate with the other performance techniques of Meticulous Portrait Painting.