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浅谈高卉民先生用印特色及其美学价值

Mr.GaoHuiMin on the Color Printing and Aesthetic Value

【作者】 于海波

【导师】 高卉民;

【作者基本信息】 哈尔滨师范大学 , 美术学, 2011, 硕士

【摘要】 在当前国画创作趋于写实甚至超写实的状态下,高卉民先生的大写意花鸟画从其正大气象绝能独立,给画坛带来了强劲的“东北风”和浓郁的时代气息。其成功的原因既在于他“借地气”,为黑土地的花鸟树坪,为“寥廓江天万里霜”的禽鸟传神,更在于他用新的艺术思想和美术视觉将传统艺术元素与其画作相整合,创作了出古入新的具有“高氏印迹”的画风。简而论之,他把篆刻艺术中的刀法、线条、节奏以及阴阳相生,小物通大道的技法与理念不霞斧砍之痕地融入画作之中,使其作品洋溢出旺盛的生命力和天地精神向往处的浩然正气。德国的美学家康德最推崇大气魄的崇高美,高卉民先生的画作无疑属于这个范畴。他的所有印章风格与画作风格气吞八荒,力可拔山之势,这是画印间气脉的相会;他的狂草篆法与印章互为表里,这是画印间法度的相会;他的画面主体色调与所铃之印的深红色产生色彩节奏,这是画印间色调的相会;他的画作知黑守白,印作虚实相生,这是画印构图的相合;他的画作深得易经的变通之理,而印作涵乎阴阳之道,这是画作间哲理的相合。得此正合,高卉民先生匠心独具,从印入画的艺术运用手段创作理念达到了时代的高峰,具有重要的美学价值。同时,也为今后国画的如何创新提供了参考价值和诸多的启发意义。

【Abstract】 In the traditional Chinese painting creation tends to be realistic and even the realistic condition, Mr. GaoHuiMin spring flower and-bird painting from the board of meteorological off to embrace the independent, can bring strong "DongBeiFeng" and the strong spirit of The Times.The causes of its success is that he "borrow", for the two industrialized flower tree ping, for "LiaoKuo jiang tianyi the frost" birds, more in god with new artistic ideas and art visual art element and its traditional painting phase, created out of the integration with the new "high’s imprinted" style. Jane generalisations, he put in the art of carving knife method, line, rhythm and Yin and Yang of birth, small things of the avenue technique and ideas don’t chardonnay axe in the scar cut of painting, make its works is permeated with a vigorous vitality and heaven and earth to the awe-inspiring righteousness in the spirit.Germany’s aesthetes Kant most respected the great courage nobleness, Mr. GaoHuiMin undoubtedly belong to the category of the painting. All of his seal style and painting style buns, force can be pulled out eight waste mountains, this is the picture of the potential between the recuperate the print meet; His KuangCao Zhuan method and seals are list, this is painting between the print meet testimonies; His picture with the bell of the main body tonal seal of the deep red color rhythm, this is produced paintings between the tonal print meet; His paintings and black keep white, seals, this void-solid combination is to draw the seal of the composition together; His paintings is deep the I ching adaptations of all things, and seals the Yin and Yang of way, contain the painting is the consistency between philosophy. The suits, Mr. GaoHuiMin craftsmanship, from the art of printing borrows scene suitable for a painting by means of the concept of creation to the peak times, and has important aesthetic value. At the same time, but also for future of traditional Chinese painting to innovation and provides the reference for the value and many of the enlightening significance.

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