【作者】 王艳；

【导师】 卢禹舜；

【作者基本信息】 哈尔滨师范大学 ， 美术学， 2011， 硕士

【摘要】 所谓传统,是源远流长的长江大河,而不是一湾死水,它将永远在推陈出新,永远在变革发展。作为新时代的山水画家更因该在继承优秀传统的基础之上,创作出更好的符合现代人审美特点的优秀作品,赋予中国山水画这一传统绘画形式以时代的特征。中国传统山水画作为以自然山川为描绘主题的绘画形式,通过艺术创作将自然山水升华为主体的审美形象,在艺术创作中,运用多样的表现手法,使各种因素统一在一幅画面中,增加艺术表现力和感染力,形成协调而完美的画面。艺术既然是一种创造,那就应该把客观存在的现实感转化为主观情思的表现,达到物我相融,神与物游的理想境界,山水画既然是主体审美所创造出的劳动成果,就应按照美的规律来体现形象创造意境,这就涉及到了如何能动的反映现实而不是机械的描写现实的问题,艺术虽然受自然规律的制约,但是,自然的审美形象因该是以对生活的提炼和概括为基础的,将自然规律升华为艺术规律,我们所看到画中的美景,是经过艺术家加工过的审美境象,是借以抒情达意的理想化境界,是由现时生活升华而来的。指导中国绘画的理论在长期发展中,充分吸收道禅哲学的精髓,同时,又体现出对儒家哲学的亲和,而这些教育思想的精髓都是教化育人,以提高人的道德修养为主要目标,反映在山水画方面,就充分体现了山水画是一种重品的艺术,绘画作品往往被画家当作一种人格的象征物,借以抒发内心感受。时代在变,中国人的思想境界随之发生了翻天覆地的变化,由此我们更应该探索现代人的思想境界,以传统山水画的境界为基础绘制出当代人的境界之美,赋予传统山水画以更多的现代性因素。本文旨在以中国传统山水画精神为基础,帮助我们如何更好的运用到当代的山水画创作中,如何把握好大的创作方向,境界的表现以及主体精神境界的升华,对提高现代山水画创作的审美层次有着一定的理论和现实的指导意义。更多还原

【Abstract】 The so-called traditional long river, is of long standing, rather than a bay, it will never dead in innovation, forever change development. As the new times landscape painters in succession more for the excellent traditional basis, create better meet modern aesthetic characteristics of outstanding works, given the traditional Chinese landscape painting form to The Times characteristic. Traditional Chinese landscape painting as a natural mountains for depicting the subject drawing form, through the artistic creation will natural landscape sublimation as the main body of the aesthetic image, in art creation, the use of diverse expressional gimmick, make all sorts of factors in unified in a picture, add artistic expression and appeal, the perfect form harmonious picture. Art since is a kind of creation, that you should put the objective existence of reality into subjective feeling of performance, achieve content my harmony, the ideal of harmoniously blended, landscape painting since is main body aesthetic created a work achievement, should according to the principle of beauty to reflect the artistic creation, how involved motile reflect the reality instead of mechanical depictions of realistic problems, art by natural laws restricting though, however, natural aesthetic image of life because this is refining and summarized based, will nature sublimate is art rule, we see the beauty, is painting by artist processed aesthetic sights, is the idealistic expression to lyric from the current state, it is life sublimate.Chinese painting in the theoretical guidance for long-term development, fully absorb the way the essence of meditation philosophy, and at the same time, but also demonstrates the affinity of Confucian philosophy, and the education is the quintessence of the enlightenment education, improving people’s moral accomplishment for the main goal, reflected in landscape painting, fully embodies the landscape painting is a heavy article of art, painting works by artists often as a personality symbols, so as to express my feelings.Time is changing, the Chinese thought realm then has undergone earth-shaking changes, thus we should also explore modern mind realm, the state in the traditional landscape painting based the human realm draw the beauty of traditional landscape painting, gift with more modern factors. This paper is intended to use traditional Chinese landscape painting spirit as the foundation, help us how to better use to contemporary landscape painting in creating, how to grasp good big of creation direction, state performance and sublimation of subject spirit realm, to improve the modern aesthetic level the creation of Chinese landscape painting have the certain theoretical and practical significance.更多还原