【作者】 陈岩烨；

【导师】 谭华孚；

【作者基本信息】 福建师范大学 ， 戏剧戏曲学， 2009， 硕士

【摘要】 电视剧作为一种艺术形式有着不可忽视的艺术发展轨迹,而“飞天奖”作为国内最高级别的电视剧奖项具有一定的代表性和不可替代的研究价值。电视剧评奖与电视剧创作之间的特殊关系为我们考察中国电视剧提供了一个特殊视角,本文正是拟用客观和中性的知识话语对“飞天奖”进行一次系统的梳理和分析。主要分为三个部分,一从历史层面对评奖进行简要的溯源,并了解大众对于奖项的心理需求和现实需要;二将“飞天奖”置于具体的社会背景中来思考其在不同历史阶段中的位置,以及以此形成的在评奖策略上相应的特点和作用。本文将1981年以来的“飞天奖”划分为三个阶段:80年代的探索发展期(1981-1989);90年代的成熟繁荣期(1990-1999);新世纪初的调整变革期(2000至今);三在此基础上,本文试图从评奖制度的层面上阐述完善包括“飞天奖”在内的政府文艺评奖的合理性问题,并且探讨“飞天奖”得失,反思它带给我们的启示。更多还原

【Abstract】 Teleplay, as an artistic form, boasts of its unique and unignored characteristics in its long-term development, and the Flying Goddess Award, a kind of award for excellent Chinese TV programs, possesses a certain degree of representativeness and irreplaceable research value. The special relationship between the awarding and creating of teleplays provides a particular perspective for us to observe Chinese teleplays. The present paper intends to systematically analyze the Flying Goddess Award through objective and neutral knowledge discourse. It consists of three sections. In section one, a brief introduction of "Awarding" from historical dimension is given, as well as a clear illustration of the public’s psychological expectation towards it and its practical significance. In section two, the positions of Flying Goddess Award in different periods, as well as its characteristics and functions of awarding strategies, are taken into consideration under specific social background. This paper roughly divides the history of the Flying Goddess Award into three periods: the period of exploration (1981-1989), the period of prosperity (1990-1999), and the period of change (2000-2008). Finally, in section three, the writer attempts to analyze the ways of improving the rationality of various awards, including the Flying Goddess Award. After that, merits and demerits of the Flying Goddess Awards are argued for reflection.更多还原