【作者】 张吉；

【导师】 陈振濂；

【作者基本信息】 浙江大学 ， 美术学， 2011， 硕士

【摘要】 中国绘画的发展从早期的简单模仿到写真技巧的不断完善,进而逐渐强调主观表现力,这是一个从状物走向写意的过程。在此过程中伴随着不同时代绘画理论和笔墨技巧上的诸多总结,形成了一条技法脉络。本文通过对历代经典绘画作品的图像比较分析,在这条技法路线上,首先明确了早期绘画中色与墨、线与笔的技法基础转换；其次又总结出自中唐至两宋,笔墨技法在写意化的进程中,从形态上的变化到新技法的成型,分别经历了从整到散、从线到面的两条主要转换路径。此外,在笔墨之余,本文还从材料、章法、主题的变化中提取影响风格变化的诸多因素加以补充说明。最终试图证明中国画从状物走向写意的过程是技法语言之间推陈出新,逐渐简化,并且最终走向融合的过程,它合乎绘画发展的规律,其本质在于近真景而远刻画,使中国绘画在完善自身风格特点的同时不断地朝着美和进步的方向发展。更多还原

【Abstract】 The development history of Chinese painting from the simple imitation of the early photo techniques to constantly improve, and then gradually emphasized subjective expression, which is tilting toward a representational from the image and expression. In this process, along with theory and ink paintings of different times of many skills summary, the formation of a techniques course.Based on the ancient classic paintings comparative analysis of the image, in line with this technique, the first clear color and ink painting in the early, basic techniques of line and pen of the conversion; secondly concluded from the Tang to Song, painting techniques in the image and expression of the process, from the morphological changes to the new techniques of forming, respectively, from the whole experience to casual, from the line to a plane of the two main conversion path. In addition, the paper also from the material, the rules, changing the subject to extract the many factors that affect the style changes to be added.Final attempt to prove that Chinese painting from expression toward representational technique languages innovation process is gradually simplified and finally to the integration process, it is the law in line with the development of painting, its essence is the true near and far characterized, Chinese painting in perfect oneself style characteristics and constantly beauty and progress towards the direction of development.更多还原