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庄子“法天贵真”思想及其美学意蕴研究

The Concept "Observing Law of Naturalness and Cherishing Truth" in Zhuangzi’s Aesthetic Sense

【作者】 陈健

【导师】 包兆会;

【作者基本信息】 南京大学 , 文艺学, 2011, 硕士

【摘要】 在庄子生活的时代,社会激烈动荡,人生无常,庄子为了求得精神世界的舒展以及生命的自由,向“天”回归,向“真”回归,主张人性的自然纯真,要求“法天贵真,不拘于俗”庄子的“法天贵真”追求生命的本然意义和个体人格的自由。在庄子那里,美学是一种以“法天贵真”为价值指向的一种对生命的感性审美体验。本论文首先从阐述“天”和“真”的内涵入手,同时阐述其它涉及的概念:“自然”、“道”、以及“虚静”和关于“虚静”的三个命题:“心斋”、“坐忘”、“物化”等等。其次从这些概念内涵中引申得出“法天贵真”的美学意蕴。“法天贵真”代表了一种审美境界,这一境界的代表是“真人”,达到这一境界的方式是“游”;“法天贵真”包含了审美虚静论,人在“虚静”的悟道中达到“天人合一”的状态。“虚静”包含了审美体验的三个命题:“心斋”是审美体验的方法;“坐忘”是审美体验的过程;“物化”则是审美体验的最高境界。“法天贵真”表达的审美趣味是:反对做作,追求天然素朴;反对人为,追求自然而然。最后论述“法天贵真’对后世的影响:法天贵真”对后世文学创作追求“自然”、“素朴”产生了深远影响;“法天贵真”中的审美虚静论,形成了中国传统艺术重传神、重写意的精神,开辟了中国古典美学特有的“意境”说;“法天贵真”影响了后世人们的审美人格的追求,即逍遥、隐逸、自然的人格。

【Abstract】 In Zhuangzi’s life time, the society were in intense turbulent, and the people’s life werevariable. In order to get stretch of spiritual world freedom of life, Zhuangzi returned to the"Sky"(nature) and the "Zhen"(true or real), he advocated natural and pure humanity and claimed"Observing Law of Naturalness and Cherishing Truth, not controlled by secular". In this viewpoint,Zhuangzi pursued the authentic meaning of life, and the freedom of individual personality. InZhuangzi’s view, Aesthetics is the perceptual aesthetic experience on the valuable direction of thetheory. Firstly, starting with the discussion of the connotation of the "Sky"(nature) and the"Zhen"(true or real), my paper expounds other involved connotations:"Nature"、"Taoist" and the"void-quietness", which involving three propositions: "XinZhai"心斋, "ZuoWang"坐忘,"WuHua"物化. Then I extended the aesthetic connotations of the view from these concepts.Secondly, the viewpoint of "Observing Law of Naturalness and Cherishing Truth" represents akind of aesthetic realm, representatives of this state is "True Man", the way to achieve it isperipatetic; It also contains the aesthetics view of "void-quietness", which people can achieve thestate of "the unity of heaven and humanity "in the enlightenment of " void-quietness". Theaesthetics view of "void-quietness" contains three propositions of aesthetic experience: "XinZhai"is a method, "ZuoWang" is the process, and "WuHua" is the highest level of it. The view’s aestheticinterest expression is that: the artificial, pursue the natural and simplicity; against theaffectation, pursue the natural. Finally, the view’s influence on future generations is discussed:itinfluenced the creators of literary pursuits the "nature" and "simple". The aesthetics view of "void-quietness" forms a kind of spirit of Chinese traditional art that it pays great attention to romanticcharm and spiritual expression. And the aesthetics view of "void-quietness" opened up a state of"mood" in Chinese classical and unique Aesthetics; the viewpoint affects the future generations topursuit the aesthetic personality, namely, natural and unfettered, hermit personality.

【关键词】 法天贵真美学意蕴影响
【Key words】 Observing Law of NaturalnessCherishing TruthAestheticsInfluence
  • 【网络出版投稿人】 南京大学
  • 【网络出版年期】2011年 10期
  • 【分类号】B223.5
  • 【被引频次】10
  • 【下载频次】870
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