【作者】 赵桂玲；

【导师】 朱毅； 谭向东；

【作者基本信息】 东北林业大学 ， 设计艺术学， 2009， 硕士

【摘要】 安徽,山清水秀,人杰地灵,地域文化独特、厚重。历史上中原人的几次南迁又带来了博大精深的中原文化。在这种背景下形成的徽州传统文化隽永而深刻,其中就有闻名中外的徽派建筑门窗雕刻艺术。本文通过实地考察,结合徽州地区的历史、地域特点和人文环境,在前四章对现存徽派建筑门窗雕刻艺术产生、发展和演变的历史进程作了全方位的探讨和必要的文化透视。尤其是对徽派建筑木雕门窗的艺术特征,包括创作构思、题材寓意、蕴涵意境和材质运用,以及与中国文学、绘画、戏曲、人文背景等徽州文化的关系进行了比较系统的讨论。从理论与实践的结合上阐述了徽派建筑门窗雕刻艺术所取得的成就,分析了它反映的社会习俗、经济背景、艺术特征,以及对民族文化的独特贡献。后两章,作者以自己对徽派建筑门窗雕刻艺术发展脉络的理解,总结了这一艺术独具的特点,揭示其深层次的文化内涵,力求全面、准确、系统地把握徽派建筑门窗雕刻艺术构成理念、地位与作用,并与其它地区传统民居建筑中具有代表性的门窗雕刻装饰进行比较,以发现并总结其构成的基本规律。本文还结合目前国内的一些成功案例,对徽派建筑门窗雕刻元素在现代建筑装饰设计中的应用进行了实例分析,为现代建筑装饰设计提供一定的参考和借鉴。徽派建筑门窗雕刻作为民间装饰艺术的精华,历史上并没有留下多少可供研究的文字资料,目前对这一课题进行系统的理论研究也是空白。本文力图通过较为详实的分析论证,作为抛砖引玉,希望引起相关群体对其进行更深入的研究,使这一宝贵的文化遗产得到更好的保护、传承、借鉴和发展。更多还原

【Abstract】 An Hui, a fair place tend to produce outstanding people with green hills and clear water especially unique historical context. The historical event that the Central Plains people migrated to the South China has brought extensive and profound Central Plains culture to Hui Zhou. In this historical and social condition, the tradition Hui Zhou culture has been meaningful and profound. One of them is the glyphic art for door and window in Hui Zhou architecture.In this passage, the general strategy of research is combining historical, social and regional context and the method of research is on site investigation. At the beginning four chapters, the emergence, development and evolution of existing glyphic art for door and window in Hui Zhou architecture is dimensional discussed in the necessary culture view of historical process. The art feature of wood glyphic art for door and window in Hui Zhou architecture is especially discussed and meanwhile, gives it relationship between Chinese literature, art painting, traditional opera and humanistic context. The passage demonstrates the ideas of guiding artistic creating, implication for topics, use of materials and mood to describe of this art style, and illustrates the acquired achievement of wood glyphic art for door and window in Hui Zhou architecture by integrating theory and practice. The passage also analyzes its reflected social custom, economic background, art feature and unique contribution for national culture. At the last two chapters, in the foundation of formula development of wood glyphic art for door and window in Hui Zhou architecture, the passage summarizes the unique feature of this art style, reveals the thorough connotative meaning, having a comprehensive, exact and systematic grasp in the organization concept, status and affection of wood glyphic art for door and window in Hui Zhou architecture. Meanwhile, the passage also compares representative traditional glyphic art for door and window of other regions in order to give a basic regularity of composition. At last, the passage combines successful contemporary project, analyzing the element of wood glyphic art for door and window in Hui Zhou architecture practically, which is used in contemporary architectural decoration design, in order to provide use for reference. As an essence of traditional decoration art, there is little written material leaving for research. This area of theorical research is still virgin ground. This passage intends to start further discussion on this issue by full and accurate analytic demonstration, hoping more deep research make this valuable cultural legacy protected, inherited, learnt and developed well.更多还原