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舒曼钢琴套曲《狂欢节》研究
【作者】 孙丽；
【导师】 尹鹰；
【作者基本信息】 山东师范大学 ， 音乐学， 2009， 硕士
【摘要】 罗伯特·舒曼是德国乐坛上最伟大的音乐诗人,是19世纪音乐界进步主义艺术最鲜明的代表者之一,在浪漫主义思潮的影响下,他以独特的音乐创作手法和深厚的文学功底来诠释自己对艺术的理解。特别是在钢琴方面,他开创了钢琴套曲这一体裁,在作品中加注标题,使他的音乐创作和音乐评论掺杂着浓厚的文学因素。这种体裁的出现,使19世纪钢琴小品音乐的发展被推上了一个新的台阶,奠定了舒曼在钢琴音乐发展史上的重要地位。本文试图通过对舒曼钢琴套曲《狂欢节》的分析研究,把握舒曼的风格特征和创作理念,探寻钢琴套曲的演绎方法和教学意义。论文主要分为引言、正文、结语三大块,而正文又分为四个部分:第一部分,引言,是对舒曼钢琴套曲概念和在其舒曼作品中的地位的简介,点明《狂欢节》的研究价值和意义;第二部分,第一章,介绍了舒曼生平和创作。先是介绍舒曼一生的经历后又对舒曼的创作进行概述,主要是从音乐创作,音乐评论和艺术风格三方面分析;第二章,对舒曼最有代表性的,也是第一部成功的钢琴套曲——第九号《狂欢节》作为研究的切入点,从这部作品的产生的背景,以及以这部作品为依托,体现出舒曼在作品当中所体现的文学性和标题性;第三章,关于《狂欢节》的音乐分析,通过本体分析(和声和曲式分析)、音乐形象分析方面来入手,细致的研究舒曼其创作个性;第四章,对《狂欢节》的演奏进行分析,在实际演奏中把握舒曼的风格特征和演绎方法。第三部分,结语,通过前面的研究分析,发现其演奏和教学的意义,引发更深入的探讨
【Abstract】 Robert Schumann is regarded as the greatest musical poet in German music history,as well as one of the most extraordinary representatives of progressive art in the 19th century.Under the influence of Romanticism,he expressed his own understanding of art with a combination of unique music composition technique and profound literary foundation.As for the field of piano,he initiated the genre of piano divertimento,meanwhile,the titles and themes of his works also add strong literary factors to his music creation and criticism.The emergence of piano divertimento promoted the development of piano pieces in the 19th century to a new stage and established Schumann’s significant position in the history of piano music.This thesis intends to comprehend the style,characteristics,and idea of Schumann’s music creation,and explore the performing methods and teaching significance of piano divertimento.The thesis includes three parts:introduction,body,and conclusion.The body falls into four chapters:The introduction presents the concept of Schumann’s piano divertimento and its significance in his works,pointing out the research value of Carnaval.The fast chapter of the body introduces Schumann’s life and his works.After an introduction of his life experience,a review of his works is presented,which mainly involves an analysis of his music creation,music criticism and artistic style.The second chapter deals with his first successful piano divertimento—Carnaval Op.9,which is also the most representative one.Based on the analysis of the background of this divertimento,the author reveals the literariness and themes in Schumann’s works.The third chapter is an analysis of Carnaval.The author elaborately investigates the creation characteristics of Schumann through noumenon analysis（harmonic analysis and musical form analysis） and music appearance analysis.The last chapter analyses the performance of Carnaval and illustrates how to comprehend Schumann’s style,characteristics,and performing methods in real performance. The conclusion part explores the significance of performing and teaching of Schumann’s piano divertimento through the previous analysis,and what’s more,calls forth further discussion.