【作者】 张永海；

【导师】 张明超；

【作者基本信息】 福建师范大学 ， 美术， 2008， 硕士

【副题名】论写意人物画在当代语境下的表达方式和现实意义

【摘要】 写意人物画是中国传统绘画艺术中一个特有的表现形态。它虽然肇始于唐、宋时期,但是,早在新石器时代的一些彩陶及岩画中就已经流露出写意人物画的特质——意象造型。东晋顾恺之提出的“传神论”给传统人物画奠定了美学基础。从此,“以形写神”、“形神兼备”之学说成为写意人物画创作和品评的一个重要标杆。秉承这种理念,写意人物画在自身历史的不断发展和嬗变中得以丰富和完善,逐步形成独特的具有东方神韵的绘画体系而倍受人们的关注和喜爱。本文结合写意人物画的历史发展脉络,对构成写意人物画的基本语言及美学观念进行分析、梳理。同时,试图从文化学和人类学的角度对写意人物画在当代文化背景下所面临的问题及如何创新进行论述。提出现实主义写意人物画要以人文精神为思想核心,关注现实、关注社会、关注人的本质存在、关注生命的价值和意义。要以深邃的思想和多维的视角去体察并寻找闪耀于人性中的崇高精神和光亮,从而实现写意人物画多元化的创作局面,并重铸当代现实主义写意人物画的精神高度。更多还原

【Abstract】 Freehand figure painting is one of the special expressing forms of Chinese traditional painting art.Although it began from Tang and Song dynasties,the color pottery and rock painting in New Stone Age already showed the particularity of freehand figure painting --- image modeling."A Vivid Touch" put forward by Gu,Kaizhi in East Jin dynasty established the basis of aesthetics.Hence,the theory of "the presentation of spirit through appearance" and "the combination of appearance and spirit" becomes an important criterion for the creation and evaluation of freehand figure painting.Taking this idea,freehand figure painting enriches and perfects itself in its history of continuous development and transmutation,and gradually forms the particular painting system with eastern verve and attracts people’s attention and favor.Combined with the historical developing skeleton of freehand figure painting,the thesis analyzes and hackles the basic language and aesthetic idea that form the freehand figure painting.Simultaneously,it tries to make a dissertation on the problems faced by freehand figure painting and on how to make innovation under the background of contemporary culture from the angle of culturology and anthropology.The thesis brings forward that freehand figure painting of realism should take humanistic spirit as the ideological core and should pay attention to reality,to society,to essential existence of human,and to the value and significance of life.And that we should experience and search for lofty spirit and brightness shining in humanism with profound thoughts and multidimensional perspectives,so that we can realize the situation of plural creation of freehand figure painting and recast the spirit stature of freehand figure painting of realism in contemporary era.更多还原