【作者】 郑晖；

【导师】 严凤；

【作者基本信息】 福建师范大学 ， 音乐学， 2008， 硕士

【副题名】论中国当代音乐剧的本土化途径

【摘要】 西方音乐剧进入中国,必然遇到本土化问题。如何利用我们这个多民族国家丰富的文化历史资源,结合音乐剧的特征,寻找一条合适的本土化途径,就成为本文论述的主题。当代中国音乐剧的本土化主要问题有两个:一个是舞台手段的本土化,一个是语言的本土化。所以,针对前者,本文以“总体剧场”的概念,从剧场的形制出发,讨论中国戏曲的基本形式和演出风格,讨论演出制度的演变和创作之间的关系,讨论中国的剧场传统和歌舞戏之间的关系;针对后者,本文以“诗性剧场”的概念,讨论中国戏曲在情节叙事和音乐叙事上的双重结构,讨论自“倡优”而来的中国戏曲的喜剧性因素,讨论“礼”与“乐”在中国戏曲中所带来的雅俗问题。接着,本文还触及中国传统的声音控制法,并从此论述“雅俗分化”的歌唱传统和“雅俗互动”的现代现象。研究中国当代音乐剧的创作,不仅要研究表现形式和表露程度的差异,更要研究文化浸淫和历史传统所造成的差异,因为只有这种差异会给本土化提供可能的途径。更多还原

【Abstract】 It was inevitable that the indigenization issue appeared while western musicals had been introduced into China. In this sense, the theme of this thesis statement focuses on how to utilize the abundance cultural resources and historical ones of our multinational country with the combination of the characteristics of musical and ultimately to explore an appropriate indigenization approach.There are two main issues of indigenization in Chinese contemporary musical - the indigenization of proscenium technique and language. Thus, the previous indigenization on the ground of "Holistic Theater" - the concept proposed in this paper, basically depending on the configuration of theater requires the discussion of the essential format of Chinese tradition drama and style of performance, also including the research of the relationship between the evolvement of performance pattern and creation; meanwhile, the investigation of the relationship between the tradition of Chinese theater and musical drama. The latter one on the basis of "Poetic Theater" requires the study on dual-structure of plot narration and music narration in Chinese tradition drama, also with inclusion of the comedy essential of Chinese tradition drama descending from "Comedian" and researching the issue of "Elegance" and "Vulgarity" in Chinese tradition drama arose by "Etiquette" and "Music". Furthermore, this paper interprets the singing tradition - "the diversion of Elegance and Vulgarity" and the modern phenomenon "the communication of Elegance and Vulgarity" in the aspect of the Chinese traditional phonation craft. The study of Chinese contemporary musical creation requires not only the research on the diversity of performance pattern and extent, but also on the diversity caused by cultural effect and historical tradition since this diversity might provide the approach of indigenization in prospect.更多还原