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论在风景创作中对水彩本体语言的追求

【作者】 刘宁

【导师】 侯安智;

【作者基本信息】 青岛大学 , 美术学, 2008, 硕士

【摘要】 当代水彩艺术随着题材上的不断拓宽,风格上广泛吸收其它画种的有益因素,新的表现手法和表现媒材的层出不穷,水彩画的面貌日益发生着改变,水彩语言呈现多元化趋势。水彩画本体语言已经成为一个不可回避的问题。水彩画由于特殊的本体语言性质决定了其技法的包容性,既可借鉴油画的厚涂和色彩构成;又可融合中国画的线描造型和泼色写意;还可发挥其特长,运用各种特殊技法丰富其本身的形式语言。当代水彩画在语言本体上呈现的技法的多维度不但没有使水彩画的基本特征缺失,反而在形式的提炼和语言的纯化上形成了颇具中国艺术精神的写意风格,这是中国当代水彩画的进步性。但不容忽视的是水彩画的发展过程中也出现了渐离本体语言的现象,我认为水彩画的发展还是应在遵循其本体语言的前提下求发展。本文将结合本人的毕业创作,从水彩画的本体语言为切入点,从水彩本体语言的发展与分析、水彩本体语言的继承与发展、在创作中对水彩本体语言的追求等方面入手,深入分析、研究在水彩风景画的艺术创作中坚持本体语言的重要性,从而更加明确水彩风景创作的正确方向,以便创作出具有独特形式的作品。

【Abstract】 In modern watercolor art, with the continuous development in subjects, absorbing positive factors of other kind of paintings, the new form of expressions, and the material emerging in an endless stream, the watercolor painting changes day by day, and the watercolor language tends to be pluralistic. The numenon language of the watercolor painting has become a problem that can not be avoided. The particular characteristics of the numenon language of the watercolor painting determines its embracement in technology, which both borrows the thick-spread and the color constitution of the oil painting, and fuses the drawing and freehand brush of the Chinese painting; it can also develop its advantages, using various special techniques to enrich its language form. The multidimensional techniques presented by the modern water painting in language numenon not only do not make the basic characteristics of the watercolor painting lost, but also form the freehand style with Chinese art spirit in extracting form and purifying language, and this is the progress in modern Chinese watercolor paintings. But it can not be neglected that the deviation from the numenon language of the watercolor paintings appears in the process of its development. The author holds that the water color painting should be developed onthe premise of the pursuit of its numenon language.This paper, with the combination of the author’s graduate works, starting with the analysis of the numenon language of the water color painting, its inheritance and development, as well as its pursuit, deeply analyses the importance of insisting on the numenon language in the article creation of the water color landscape paintings, thus gives more clear identification of the correct direction of the creation of the water color painting, which can create works with special styles.

  • 【网络出版投稿人】 青岛大学
  • 【网络出版年期】2009年 03期
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