【作者】 孙军；

【导师】 李友生；

【作者基本信息】 山东大学 ， 设计艺术学， 2008， 硕士

【摘要】 艺术的存在和发展与社会现实状况总是有着密切关联,并深刻地镌刻着时代的烙印。中国的雕塑艺术亦不例外,无论观念、功能、形式、材料等等无不契合着某一社会发展阶段的要求,同时也受到特定时期种种外在因素的限制。中国当代雕塑艺术从二十世纪初真正开始了对于现代新形式的探讨,其间经历了解放前对于欧洲写实艺术的移植、解放后对苏联社会主义现实主义样式的模仿以及改革开放后对于西方现代主义、后现代主义观念的演练和二十世纪九十年代以来消费主义影响下的雕塑实践。从这四个时期来看,前两个时期应该说是在特殊历史时期、特殊政治环境下的现代雕塑的开端及实践时期,在这一时期雕塑界的前辈们将西方古典写实主义雕塑带到了中国,从此我们的雕塑开始了与传统雕塑样式截然不同的创作时期。后两个时期则可以说是当代雕塑真正开始发展的时期。随着国家的改革开放,新的观念、样式、材料逐渐影响并改变了我们的创作理念,尤其是进入二十世纪九十年代以来,一个全新的消费型的社会开始形成,在新的消费理念引导下,中国当代雕塑艺术以前所未有的速度在不到二十年的时间中发生了翻天覆地的变化。本文通过对二十世纪中国现代雕塑艺术发展历史的梳理概观,结合学院雕塑教育模式分析,着重于二十世纪八十年代以来尤其是近几年来雕塑艺术发展的论述,从艺术观念的转变、政治标签式艺术的消解和对生命的人性化关怀以及当代雕塑艺术所呈现出来的娱乐化倾向诸方面,探讨消费时代背景下雕塑艺术的当代性表达问题,总结雕塑艺术在发展过程中对于惯常审美方式的突破以及自身发展的自律性,并尝试提出自己对于消费时代背景下的中国当代雕塑艺术文化建构的思考。雕塑艺术作为社会大文化建构中的一部分,在当下如火如荼的发展背后存在诸多问题,对于个人的功名利禄和营造更美好生活环境、创造和发展健康的社会和文化之间我们更需要平心静气,以求当代雕塑艺术的本土化发展达成物质生存需求和履行精神使命之间的理性选择。更多还原

【Abstract】 There is always an intimate connection between the existing of art and the current situation of the society. So does China’s sculpture. Not only the idea and the function, but the patterns and materials all obey some requirement of different social stages. At the same time, it is influenced by some imposed elements at some special stages. For China’s modern sculpture which begins its exploration for the whole new shape since the early 20^th century, it has developed several stages: the transplant of the European Realism before China’s liberation, the imitation from the Soviet Union’s Socialist Realism after liberation, European Modernism since the Reforms, the practice of Post-Modernism and the sculpture practice in 1990’s under the influence of Consumptionism. The first two periods can be seen a period of beginning and practice under a special social surroundings and political environment, in which the forerunners bring the western classical Realism into China, thus, begins a period which is quite different with the traditional sculpture form; while the last two periods mark a real start of China’s sculpture. With China’s Reforms and Opening-up policy progressed, new ideas, artistic forms and materials are gradually and changing the idea of creation. In the 90’s for instance, in which a whole new society of consumption is taking shape, China’s modern sculpture art is developing in a remarkable speed in no more than 20 years under the direction of the new idea of consumption.The article focus on the sculpture development in the recent years through the review to China’s sculpture development in the 20^th century. From the transit of the art conception, the clear-up of the politics-labeled art,the care to life and the entertainment inclination in the modern sculpture art to think over the expression of the sculpture are in the consumption time, summarizes the break from the normal visual appreciation in the process of artistic development, and brings a personal thought of the structure of China’s contemporary sculpture. As a part of social culture, sculpture is faced many problems which is to suffocate its development. We need to create a more healthy social culture, a much better living surroundings in order to achieve a rational choice between the material need and spiritual purpose for the localization of modern sculpture.更多还原