【作者】 罗湘来；

【导师】 何纯；

【作者基本信息】 湘潭大学 ， 新闻学， 2008， 硕士

【摘要】 动画是一种独特的文化传播景观与艺术形式,它从诞生就带有表意性,从动画的起源与发展中,可以发现人类早在旧石器时代就已经使用运动图像叙述故事,表达信息,动画叙事的发展是建立在漫画发展与科技进步的基础之上的。文学叙事学与电影叙事学只是叙事学的一部分,叙事学理应考虑其他视觉艺术和形象表现的叙事学发展,从语式叙事学的角度对研究动画的叙事性就展现出其重要意义。动画作品的叙事性,从麦茨提出的五条识别叙事的标准中可以看出,动画与文学、电影一样,是一个完成的话语,是双重化的时间段落将事件非现实化,是运用特殊的叙事符号讲述故事和表达思想感情的。所不同的是,动画叙事具有自身的特殊性,主要从绘制性、幻象性、运动性、电影思维性以及幽默性中表现出来。动画在叙事中形成了特殊的表达模式,它是用图像形式表现象征意义的艺术符号,它既似象征性符号那般“表现情感”,也如结构主义符号般“陈述世界”,传播着创作者的观点与影片的信息,形成了具有自身独特叙事功能与特点的符号表意体系。对动画的叙事时间进行关照,可知它突破了其它叙事体的复杂时序结构,注重运用自身的具象化图像重塑叙事时间,使叙事时间的伸缩与停顿呈现唯美、幽默而夸张的叙事特征。对动画的叙事空间进行考察,可知其画面空间主要由图像塑造。线条、色彩或光影等符号元素的造型表意与象征喻示,为其叙事提供了某种寓意与语气调子,在单幅图像上也能叙事,在多幅图像的组接中又类似于电影叙事中镜头调度的画面,形成多视距、多视点的图像场景,呈现假定性和唯美性的叙事特征。而从非直观视觉性的想象角度来看,其画外空间则由声音来表现,通过对声音的联想,以不同的表现形式呈现视觉空间,暗示、强化甚至塑造空间,构筑声音的空间叙事性。在对《千寻千寻》的受众接受与叙事分析中,可以发现受众在接受过程中表现出几种心理机制,而其叙事符号、时空以及风格特色正是满足了受众的心理特质,才取得了叙事艺术的成功。由此,我国动画应借鉴它在叙事符号造型上的精美与叙事时空的人文内涵与娱乐性,放眼世界挖掘富有想象力的题材,注入具有中国特色的民族风格,与音响效果相互融合,展现动画对梦幻感与节奏感的独特表现力,叙述最为瑰丽的视听奇观。更多还原

【Abstract】 Animation is a unique cultural dissemination vision and art form, it has expressed information from its birth, from the origin and development of animation, it could be found as early as the paleolithic humans that the moving images told the stories and expressed the information, the development of the animation narrative is built on the basis of comic and science technology development. Literature narrative and Film narrative are only one parts of the narrative, the narrative should consider the development of other visual art and the performance of the image narrative, therefore, its significance has showed that the animation narrative is studied from the angle of mode narratology. From the five identified standard that are brought forward by Christian Metz, it is seen that animation is a complete language as literature and film and have the double times with the un-reality event. Animation uses the special narrative symbols to tell the stories and express the feelings. The difference of the animation narrative is of own particularity, which demonstrated mainly from the traits of drawing, phantasm, motility, film thinking and humor.Animation has the special mode of expression in narrative, it is the art symbol that uses the image form to represent the symbolic contents, it seems that express the emotional as the symbolic symbol and the state the world as the structural symbol, which transmits the viewpoint of the originator and the information of the film to form its own unique narrative features and characteristics. From the narrative time of the animation it breaks through the complex time and sequence structure of other narratology, pays attention to use its own image remodeling the narrative time and prolonging, shortening or pausing the narrative time to present the aesthetical and humoristic narrative features. It is known from the observation of the animation narrative space that their screen image is shaped by some symbols like images, lines, colors or shadows that has the function of plastic, ideographic, symbolic and metaphor, provides a certain meaning and mood tune for the narrative, the image space can narrate in the single image, which forms the image screen of multi-visual distance and multi-visual point as the lens image of the film narrative in the connecting of the multiple images, showing the supposition and aesthetic characteristics. From the point of non-intuitive visual, the off-screen space is mainly presented by voice which can shape the visual space, imply the space and even intensify the space by the imaging of audience, thus building the spatial narrative of voice.With the analysis of the receiving psychology of audience and the narrative in <<Spirited Away>>.It is found that the audience put up several psychological mechanisms in the receiving course, its narrative symbol, time and space, style feature is meet the audience’s psychological characteristics, which has made its success of the narrative art. Therefore, our country’s animation should take the polish narrative symbol, the humanistic connotation and entertainment of the narrative space time for reference, scanning widely the world to look for the imaginative themes, developing the national characteristic style, inosculating with the sound effects for showing the unique expressive force of the illusion and the rhythm in the animation to narrate the most magnificent audiovisual spectacles.更多还原