【作者】 崔国伶；

【导师】 向思楼；

【作者基本信息】 四川师范大学 ， 美术学， 2008， 硕士

【摘要】 本文对杨柳青木版年画的艺术价值及文化意蕴进行了系统地研究,该研究是当前杨柳青木版年画等民俗文化濒危的背景下研究的重点课题。而本文对杨柳青木版年画艺术价值及文化意蕴的研究也是木版年画研究领域较少涉足的课题。先人对杨柳青木版年画的研究多以收藏、鉴定、制作技法和艺术特色等方面的研究为重点。杨柳青木版年画具有珍贵的艺术价值,在中国民间艺术史中杨柳青木版年画自成一个独立的绘画体系,它的创作具有很大的主观性,并且杨柳青木版年画具有独特的中国绘画观。由于杨柳青木版年画在构图、造型、色彩、线条、制作工艺、题材内容、近代史在其中的反映上具有珍贵的艺术价值,那么系统梳理杨柳青木版年画的艺术价值和文化意蕴就成为研究的重要内涵。在本文中不仅谈到了杨柳青木版年画的独立绘画体系,而且论述了杨柳青年画中儒家思想价值及其在近现代史上的价值,杨柳青木版年画有着怎样的西洋绘画元素等。其中杨柳青木版年画的文化意蕴及民族精神是准确认识和有效把握诸如此类关于杨柳青木版年画艺术价值研究的切入点,本文对杨柳青木版年画文化意蕴的研究主要从四个方向着手论述:即杨柳青木版年画的文化背景与人文精神;杨柳青木版年画的符号意蕴;杨柳青木版年画中的福、寿、禄、喜等几项观念的探源;杨柳青木版年画中的门神画寓意。要很好的论述其文化意蕴及民族精神,一是需要确立杨柳青木版年画的认识观念;二是需要对传统儒、道等思想的认识支持。该课题通过关注杨柳青木版年画文化整体,以认识论为视角,研究构建并确立了杨柳青木版年画的艺术价值及文化内涵。本文浅谈杨柳青木版年画艺术价值及文化意蕴的研究在于,杨柳青木版年画艺术的发展,并非是填补空间的附加物,其本身往往与所在的空间及环境的形成有一定的结构关系(除纯粹的形式关系外,也包括文化的、宗教的、政治的或社会的关系)并形成既定语义及价值意义上的约定俗成的文化符号。在这样的联系中,杨柳青木版年画艺术把物质形态的结构与人的认知及情感结构有机地结合并展现出来,以至蕴含了不同民族及地域文化中异常丰富和辉煌的文化意蕴。它的产生及其发展历程所揭示的文化与审美经验和艺术价值,对于后来者无异于丰厚的历史宝藏和多纬度的创作参照体系。因此,我们今天对杨柳青木版年画的回顾和学习是十分必要的。更多还原

【Abstract】 In this paper, I systematically studied the artistic value and cultural implications of Yangliuqing Wood Engraving Picture. In the current background of folk culture such as the Yangliuqing Wood Engraving Picture come to be endangered, the study of the Yangliuqing Woodcut have attracted more and more people’s interest. But the study of artistic value and cultural implications of Yangliuqing Wood Engraving Picture is a subject that is less researched by other people. Forefathers were most focus on the collection, identification, production techniques and artistic characteristics when they study the Yangliuqing Wood Engraving Picture. Yangliuqing Wood Engraving Picture has a valuable artistic value in the Chinese folk art. In the history of Yangliuqing Wood Engraving Picture, it separated to be an independent painting system, its works is very subjective, and has a unique pictures of Chinese painting. Yangliuqing Wood Engraving Picture is an independent painting system in the history of folk art in China. The Creation of Yangliuqing Wood Engraving Picture is very subjective, and it has a unique Chinese painting concept. As Yangliuqing Wood Engraving Picture having precious artistic value in composition, shape, color, lines, production processes, materials, a reflection of modern history, then systemic carding and research of the artistic value and cultural implications of the Yangliuqing Woodcut have become an important connotation. In this paper we not only talked about the independent painting pictures system of Yangliuqing Wood Engraving Picture, but also discussed the value of Confucian thought in modern history of the Yangliuqing Wood Engraving Picture and how the pictures have elements of Western painting. In which, the cultural implications and national spirit of the Yangliuqing Wood Engraving Picture are a starting point by which we can accurately understand and effectively grasp the art research of Yangliuqing. The paper mainly discussed proceed from next four directions: the cultural background and humanistic spirit of Yangliuqing Wood Engraving Picture; meaning of symbols; the discovery of a number of concepts of the Fu, longevity, salary, joy, etc, in the Yangliuqing Wood Engraving Picture; the door god painting implies. In order to discuss its cultural implications and the national spirit more better, firstly, we need to establish understanding of the concept of the Yangliuqing Woodcut, secondly, we need to support traditional Confucianism, Taoism and other ideological awareness. The subject, which focused on epistemology and concerned about the overall Yangliuqing Wood Engraving Picture culture, established the artistic value and cultural connotation of the Yangliuqing Wood Engraving Picture.The Innovation of this paper is that we need to recognize that the development of the arts of Yangliuqing Wood Engraving Picture is not an appendages to fill space, but it often has a certain structural relation with their own space and the formation of environment (except purely in the form of relations, including culture, religious, political or social relations), and established a semantic meaning and value of the common cultural symbols. In such a link, the arts of Yangliuqing Wood Engraving Picture organically integrate and demonstrate the material structure and the morphology of the cognitive and emotional structure. The experience of the cultural and aesthetic revealed by formation and evolution of the Yangliuqing Wood Engraving Picture, is a historical treasures and more creative latitude reference system for latecomers. Therefore, the review and research of the Yangliuqing Wood Engraving Picture are very necessary and important in present time.更多还原