【作者】 刘宁；

【导师】 王文利；

【作者基本信息】 湖南师范大学 ， 新闻学， 2008， 硕士

【副题名】从《话说长江》到《再说长江》

【摘要】 《话说长江》与《再说长江》是两部恢弘的社会画卷,通过对二者的比照,长江乃至整个中国从改革开放至今在经济发展、社会民生、思维意识等方面的腾飞一览无遗,但对于一个电视人而言,《话说长江》与《再说长江》同样可以被视为中国纪录片发展历程的两个界标。以《话说长江》为始、《再说长江》为终的这二十年,是中国纪录片的制作技术和制作理念不断取得突破的黄金时段,负载在纪录片身上却又含而不露的一些学术知识也在这期间逐一的被挖掘与延展。《话说长江》与《再说长江》在中国纪录片界的标杆地位使得对它们两者的比较也别具意味:与《话说长江》相比,《再说长江》电视技术的突破、电视理念的创新、电视学术的拓展折射出来的正是这二十年间中国纪录片发展变迁的一个缩影。更多还原

【Abstract】 Hua Shuo Changjiang and Zai Shuo Changjiang are two impressive social picture scrolls, through which the development of the Yangtze River valley and even the whole China in economy and people’s livelihood, thinking and ideology and so on can be seen clearly. And to a television workman, Hua Shuo Changjiang and Zai Shuo Changjiang can also be regarded as two landmarks in China’s documentary history. The 20 years from the former to the latter was a golden period during which China’s film production techniques and concepts made constantly breakthroughs, and also during which the academic knowledge connoted in the documentary was continuously explored and extended. The two documentaries’ benchmarking status in their sector makes the comparison of them unique: what the development of the latter compared to the former in TV technology breakthroughs, innovative television concepts, TV academic expansion reflects is right a microcosm of the development and changes of China’s documentary in these 20 years.更多还原