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论夏代器物的审美特征

On Aesthetic Characteristics of Artifacts in Xia Dynasty

【作者】 高良;

【导师】 朱志荣;

【作者基本信息】 苏州大学 , 美学, 2008, 硕士

【摘要】 夏代处于原始氏族公社向专制统治国家过渡的历史转型期,专制思想、理性精神、人本意识和艺术思维得以萌生。在此社会文化背景下,夏代先民在器物创造中借助高超的工艺、别致的造型和丰富的纹饰,运用象征表意的艺术手法,展现了沉重神秘的艺术风格,表达了独具时代特征和地域特色的审美追求。世俗的灰陶通过黄泥和烈火的对话,再现了夏代炊饮的生活世界,表现了夏人“近取诸身,远取诸物”的艺术思维,形成了“和而不同”的审美风格;灵异的瑞玉通过顽石向灵玉的蜕变,再现了夏代兵戎的战争世界,表现了夏人“形下之器,形上之道”的艺术思维,形成了“稳而求新”的审美风格;庄重的青铜通过纯铜和铅锡的比例调和,再现了夏代祭祀的礼仪世界,表现了夏人“贡金九牧,铸鼎物象”的艺术思维,形成了“神人合一”的审美风格。夏代器物表现的审美特征在审美意识发展史上承上启下,实现了活泼愉快的自然美向沉重神秘的庄严美的过渡,填补了作为考古的石器时代和作为信史的商周时代之间所缺的关键的一环。

【Abstract】 Being the historical transition from primitive clan community to autarchy governed state, autarchy ideology, rational spirits, people oriented consciousness and artistic thought began to germinate in Xia dynasty. In this social cultural background, these ancient people in artifact creation by lofty craft, unique modeling and rich decorative designs, employing art technique of symbolizing meaning, which shows dignified and mystical art style and expresses special epoch characteristic and area featured aesthetic pursuit. Based on yellow mud and blaze, mundane grey pottery emerges ancient people’s drinking and eating life, exhibits their artistic thought of“imitating from their bodies and articles in around“, forms“harmony but different”aesthetic style; rude stones are carved into nimbus jades, which emerges the war life in Xia dynasty, exhibits artistic thought from reality and idea in their head, forms“steady but innovative”aesthetic style; through concocting pure copper, lead and tin by proportion, dignified bronze emerges Xia dynasty’s sacred amenities, exhibits their“collecting many tributed metals from Chian and casting into a big vessel with designs”artistic thought, forms“god and man united”aesthetic style. Aesthetic characteristics expressed in Xia dynasty’artifacts is a connecting link between the preceding and the following in aesthetic development, realizing the smooth transition from lovely natural beauty to the mysterious stately beauty and filled the key point missed between the stone stage and Shang zhou dynasties in archeology.

  • 【网络出版投稿人】 苏州大学
  • 【网络出版年期】2008年 11期
  • 【分类号】K871
  • 【被引频次】2
  • 【下载频次】350
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