【作者】 杨政；

【导师】 何工；

【作者基本信息】 四川大学 ， 美术学， 2007， 硕士

【副题名】对油画形式和内容的探索

【摘要】 据说稍有灵性的动物就会自救，能给自己看病，要是发觉自己身体里哪里不对劲儿了，亦或病变了，便会在山间地头自个儿找到些草叶吃了解决问题，病便好了。我不知自己有无灵性，但也还尚知自己哪里疼。无需遮掩地说，好长时间以来，我都认为色彩是我的一个问题，感觉没有找到其最大限度表现力的方法，弱对比让我释怀，好像长久在漫无边际的水上飘荡后终于找到个着力点，可以借点力了，并窃以为这种方法对得起颜色。我醉心于那种微差变化产生的含蓄而和谐、欲说还休的感觉。在表象上是如此这般，从内在心理上讲，选择弱对比是一种心态，一种比较自我的心理状态，素淡而隐忍，她偏向于极简主义，却又与中国传统文人画状态有某种暗合，这或许又与人的食物链有着某种联系吧。在文章中，我开始了总结，一方面总结个体油画创作的体悟。由易到难，由浅层入深层，即“形、色、气、意”这四个由功法到心法，由物质到精神的过程；另一个方面，从宏观角度心结孕育我绘画的三个传统，即俄罗斯油画的写实传统、抽象和表现的传统以及文人画传统，她们是三个大传统。在微观上，我总结了自己弱对比绘画的特点。在论文中，我开始了思考，思考观念这一因素，思考当代画家对形式的妙用，思考绘画的当代性，并阐述了结论性观点。艺术当随时代，形式上如此，内容上亦是如此，精力不应该为物象而物象，而应言说心灵，奏响心灵的强音，艺术是眼前的大意象，是时代的心象，她唤起我们对人生的热爱之心。更多还原

【Abstract】 It is said that the animals with slight anima can save themselves and cure themselves. If they find something wrong with their bodies, or if they get sick, they will find some herbs in the mountains and fields eat them and solve their physical problems. I wonder whether I have anima, but at least, I knowmyself------where hurts. I have to admit that I had been thinking for quite a longtime that color remained a problem of mine. I used to feel that I couldn’t found out the most expressive way until the subtle contrast set me free. It seems that I have finally caught a point on which I can totally rely. With its help, I secretly think that it’s just right for color. I am indulged in the reserved, undemonstrative, harmonious, and unspoken feelings produced by the subtle nuance.At least, it appears like that. Psychologically, choosing subtle contrast is a state of mind and mood, or more precisely, a quite egoistic psychological state. Itis plain, quiet, obscure and patient-----with the tendency of being extremelysimple, but at the same time, it somehow fits in the conception of traditional Chinese painting. This is probably connected with the food chain of human beings.In the essay, on one hand, I sum up the experiences and thoughts of individual creation of oil painting, covering the "form, color, spirit and conception", ranging from the easy ones to the difficult ones, the techniques to the intentions, from the substance to the spirit; on the other hand, macrocosmically, I general introduce the traditional Russian realistic, abstract and expression, and Chinese paintings which heavily influence my artwork. Microcosmically, I summarize the characteristics of the subtle contrast in my painting.In the essay, I analyze the forms magically used by the contemporary artists, demonstrate the contemporariness of painting and sum up my conclusion. Art should be developed with the time, both in its form and content. We should not only focus on the images, but more on the voice of our hearts. Art is an enormous image of conception, an echo of the age, and it always arouses our ardent love and enthusiasm for life.更多还原