【作者】 黄益军；

【导师】 魏向东；

【作者基本信息】 苏州大学 ， 专门史， 2007， 硕士

【摘要】 本文以1872-1911年的《申报》作为研究的基本资料,对晚清上海城市及娱乐业发展概况进行归纳概括,分析了晚清上海城市娱乐业发展的原因,并具体从娱乐方式、娱乐设施、娱乐理念三个层面对上海城市娱乐业的发展进行阐释,描述了晚清上海城市中心娱乐区的形成、变迁,同时选取晚清时期另一个重要的口岸城市——汉口,与上海进行对比,分析了它们的可比性、各自城市娱乐业的发展特征,最后得出结论。本文的余论部分分析了上海城市娱乐业的影响力,并以《申报》为例,探讨大众传媒与城市娱乐业之间的良性互动。本文初步勾勒出晚清上海城市娱乐业的面貌,尽可能较为完整地展现其发展脉络和总体特征,以期从社会生活层面对中国城市近代化历程作一粗浅探索。更多还原

【Abstract】 This thesis takes SHENBAO between 1872 to 1911 as basic data, generalizes the development of Shanghai and its entertainment industry in the late Qing dynasty, analyses its causations, and describes the development of entertainment industry in the late Qing dynasty in Shanghai concretely by three aspects: entertainment manner, entertainment establishment and entertainment idea, depicts the formation and variance of the central entertainment district. This thesis also chooses another important port city—Hankou to contrast with Shanghai, analyses their comparabilities and characteristics of the entertainment industry of each city, and makes conclusions finally. The surplus statement analyses the influence of the entertainment industry of Shanghai, and takes SHENBAO as example discussing the fine reciprocity between the mass media and the entertainment industry. This thesis draws the outline of the visage about the entertainment industry of Shanghai in the late Qing dynasty, exhibits its skeleton of development and mass characteristics. The purpose is to quest the course of the modernization of Chinese cities from the aspect of social life.更多还原