【作者】 马岩；

【导师】 袁金刚；

【作者基本信息】 西北师范大学 ， 文艺学， 2007， 硕士

【摘要】 在世纪之交文学艺术发生的“转向”中,最为抢眼的景观是视觉图像的“转向”。今日的视觉图像铺天盖地,无所不在,它已经“帝国主义式”地占领了文化的大片领地。我们生活在一个视觉图像的时代。无疑,人们今天的经验比以往任何时候都视觉化和具象化了,人们更加关注视觉文化。但是,我们在关注视觉文化的同时却不能忽视在这样的文化语境下文学所面临的新的危机。在我看来,既不能把当前的视觉文化视同“狼来了”一类的儿戏,也不能把坚守文学的存在看作顽固保守,而是要历史和具体地论析视觉文化将会怎样影响乃至改造文学的形态和本质,新的时代下,文学有着怎样的机遇,面对这种机遇,文学能否突破视像的围追堵截而劫后余生,乃至于生生不息。论文共分为三个部分:第一部分论述了视觉文化的含义、生成语境及视觉文化对文学的挤压,表明文学的当代危机。第二部分也是核心部分针对视觉文化时代文学所面临的困境,提出发展策略。主要从视觉图像、电子媒介和中国传统审美文化三个方面给文学灌注新鲜血液,建立文学特有的时代特征,以期进一步发展文学。第三部分通过对文学艺术终结论的反驳,证明文学不会终结,人类永远都需要一个诗意的世界,我想这就是文学艺术存在的理由和根据。更多还原

【Abstract】 At the turn of the century, there was a shift in the study of literature arts, among which the most eye-catching was the shift in visual images. Currently, visual images are overwhelming and everywhere in our life, occupying a large territory of culture in way of imperialism, thus, it can be safely concluded we live an age of visual images. Undoubtedly, the experience of today’s people is more visualized and concreted, and people are more concerned about visual culture. But, as we are paying more attention to visual culture, we are in no position of neglecting the newborn crisis under such a cultural context. From my point of view, we should neither regard cunent visual culture as "wolves" in the story "Wolves are coming", nor consider the guard of literature existence a hard head; but we should historically and concretely analyze how visual culture will influence or transform the morphology and nature of literature, what opportunity will literature encounter in the new era, and with this opportunity whether literature can survive and thrive in the surrounding, chasing, interception and blocking of visual images.The thesis falls into three parts: the first part discusses the meanings of visual culture, the press of generative context and visual culture to literature, showing the contemporary crisis of literature; the second part ,the core of the thesis, brings forward the development strategies according to the dilemma of literature in the era of visual culture, mainly discussing the ways of rejuvenating literature and setting up era characteristics of literature from the prospective of visual images, electronic media and Chinese traditional aesthetic culture; the third part refutes the view of the end of literature arts, and testifies literature will not terminate, human will need a poetic world forever, which is the reason and foundation of the existence of literature arts.更多还原