【作者】 杜灿；

【导师】 胡山林； 宋伟；

【作者基本信息】 河南大学 ， 艺术学， 2007， 硕士

【摘要】 中国传统绘画历史悠久,具有独特的风格和浓郁的民族特色,而对于色彩的认知和使用更是具有独到之处。中国人认为色彩是从天地阴阳而化生五色,即由黑白二基色而衍生出青、赤、黄、白、黑五彩,循道从玄,扑朔迷离。在儒家、道家和佛家思想的影响融会中,形成了独具中国特色的五色审美体系。中国传统绘画色彩也随着民族审美心理的变化而呈现出不同时期的色彩审美倾向。用色从单色凝重到绚烂多姿,在宋元以后又呈现出简淡纯朴的倾向。在传统绘画色彩的审美流变中,无论是浓墨重彩还是清新淡雅,对五色运用的色彩语言给人的视觉形式变化,在中国人的传统审美心理中一直影响至深。而后期水墨和淡着色的五色运用,其根本原则与古典五色体系的理论完全一脉相承。中国传统绘画的发展历程,可以看出无论是在唐宋之前的浓郁之象还是宋元以后的清用之象,甚至到明以后对浓艳色彩的排斥和对黑白水墨的极力推崇,中国画家在使用重彩进行绘画和排斥艳丽色彩时的黑白水墨绘画,他们从不拘泥于自己眼中所见到的物象的固有色彩,而是强调意象地表现物象,色彩带有很强的象征性和主观意象性。在阴阳五行说的系统图式中,五色的基本元素(青、赤、黄、白、黑)也作为哲学意义上的宇宙秩序渗入到社会生活的方方面面和意识形态领域,并影响着色彩的用色规范。因此,中国传统绘画的色彩审美从一开始就是一种意象审美心理,其色彩或浓或淡的审美应用,一直有中国哲学意义上的色彩观,内在自律着它的使用规范。中国传统绘画色彩观念对于民族精神的影响具有深远的意义,在传统民族文化史中记录着民族审美心理发展变化的历程。全面了解传统五色观念及其在传统绘画中应用的审美心理,有助于中华民族在全球一体化的世界文化格局中保持鲜明的民族个性。弘扬色彩文化,开拓、丰富色彩表现语言,成为实现中华民族伟大复兴中不可缺少的一环。更多还原

【Abstract】 The Chinese traditional painting which has the unique style and the rich national characteristic has glorious history, but it has the originality regarding the color cognition and the use. The Chinese think that the color is from the world masculine and feminine elements the metaplasia five colors, namely grows Qing(blue and green), red, yellow, white, black by the black and white two primary colors, following from unreliably, confusing. It has formed the alone Chinese characteristic five colors esthetic system in the influence of the Confucianist, Taoism and the Buddhist thought . The Chinese traditional painting color presents the different time of the color esthetic tendency along with the national esthetic psychology change. With color from solely to brilliant varied, then,will present the fresh elegantly simple tendency in Song Yuan later. In the changes of the traditional painting experience, regardless of the thick ink gorgeous color or the fresh elegantly simple affects in Chinese traditional esthetic psychology to deeply in the changing of the five colors used color language for human’s vision pattern. But later period Shui Mo and the pale coloring five colors utilization, its basic principle inherits with the classical five colors system theory completely.From the course of Chinese traditional painting development, we can know that when the Chinese painter carries on the painting in the use gorgeous color and the repel gorgeous color or using black-white water ink drawing, they ever do not rigidly adhere the physical image inherent color which saw in oneself eye, but is emphasized the image the performance physical image, the color has the very strong symbol and the subjective image, regardless of a kind of gorgeous color before Tang Song, or a kind of light color after Song Yuan dynasty, or even the rich color repelling the Ming dynasty later and the black-white water ink vigorously esteeming. In the formula of the Yinyang and five elements , the five colors fundamental element (Qing, red, yellow, white, black) permeates the aspects of the social life and the ideology domain and affects the color standard,as philosophy significance the universe order。Therefore, Chinese traditional painting color esthetic is one kind of image esthetic psychology from its beginning, its color either thick or pale esthetic application, which has always the Chinese philosophy significance color view that intrinsic autonomy its use standard.The idea of Chinese traditional painting color has the profound significance influence in regarding the national spirit,which record the development change course of national esthetic psychology in the traditional nationality cultural history. The comprehensive understanding traditional five colors idea and in the traditional painting the application esthetic psychology can help the Chinese nation to maintains the bright national individuality in the global integration world culture pattern and bring honor to the color culture.It is an essential link greatly to realize the Chinese nation to revive to develop and add color performance language.更多还原